Her utter technical command and her ability to unerringly find emotional truth resulted in a legendary career garlanded with landmark recordings and never to be forgotten stage performances.
Her performance of, ‘Che faro senza Euridice’ will live with me always as I make my journey through the dark wood.
Spirit refreshing music courtesy of Bach one of the supreme artists.
His works will enter your consciousness like a pebble dropped into a pond with ever widening circles of effect.
Julian Bream is another musician with, ‘The Touch’.
Music played by Bream flows purely and naturally from his fingers to our hearts.
Devotees of Chopin and his piano works, especially The Nocturnes, can spend long hours debating which great pianist has searched their depths most successfully.
I have never wavered in my conviction that the magical recordings made by Claudio Arrau must wear the crown.
His version of The Nocturnes has the quality of meditative prayer.
Herbert Howells music has an English reticence which belies the oceanic depths of feeling it can summon from the listener.
His, ‘A Spotless Rose’ especially when sung with the aching purity of The New College Oxford Choir tenderly ushers the cosmic into our mortal consciousness.
For music to take you away from the daily tumult I offer you a precious work of the heart.
‘A Stor mo Chroi’ as performed by The Voice Squad (Phil Callery, Fran McPhail and Gerry Cullen) insists that we each attend to what is truly important in all our lives; the love we offer and the love we share.
Where else is your treasure to be found?
Jukebox Jive
This is the last Post of 2017.
Many thanks to all my readers and followers and especially those who take the time to comment.
I was touched by so many good wishes at Christmas and for New Year and such kind words about The Jukebox.
When I started The Jukebox I little thought I would find so many kindred spirits!
Music by Chopin played by Claudio Arrau (1903 to 1991), Joe Tex and June Christy.
Our painting today is, ‘The Adoration of the Magi’ by Peter Paul Rubens.
More accurately, it is the the modello (a sketch shown to a patron for approval of the composition) for the altarpiece painted by Rubens for the convent of the Dames Blanches, Louvain now in King’s College Chapel, Cambridge.
There is a wonderful humanity in this work.
Though the event depicted was of universal importance it was witnessed, experienced, by, ‘ordinary’ men and women (and let us not forget animals as the peering camels here humorously demonstrate) on a day when the sun rose and set like any other.
Miracles take place (far more often than, ‘common sense’ will allow) against the background of every day events.
Rubens manages to make each of the individual characters in the scene vividly present.
I feel as if I could walk directly into this company and be made welcome.
Devotees of Chopin and his piano works, especially The Nocturnes, can spend long hours debating which great pianist has searched their depths most successfully.
I have never wavered in my conviction that the magical recordings made by Claudio Arrau must wear the crown.
His version of The Nocturnes has the quality of meditative prayer.
After the above and yesterday’s stop to gaze reverentially heavenward it’s time to turn to more earthly considerations.
The Greeks, as you might have expected, had different words to describe the varied forms of love we express and experience.
Yesterday we were concerned with Agape – the love of God for man and man for God. Today we will find songs that express Eros – sensuous, sexual love and the appreciation of beauty and Philia – the love expressed in affectionate regard and friendship.
Now we turn to a tremendous southern soul sermon from a master and mentor for the genre, Joe Tex. ‘I’ll Make Everyday Christmas (For My Woman)’ glows bright with Joe’s gently enveloping passion.
Joe’s forte was telling stories in song using humour and homespun wisdom so that you felt he was gifting you the hard won lessons of a richly lived life.
Joe had a country preacher’s sense of the hunger in the audience for parables that would make sense of the roadblocks and confusions assailing them in their lives and provide a route map for the way ahead.
They knew that Joe didn’t pretend that he had never been a rounder and a rogue as well as a true romantic and love disciple.
We often, rightly, pay more attention to the testimony of someone who admits to failure and frailty than those in their whited sepulchres who are quick to admonish our every fault.
Joe sings the song with a steadily growing intensity almost as if the promise he was making was as much to his own better self as to the woman it was made to.
When the record finishes its hard not to say, ‘Amen! Brother, Amen!’ and vow to make sure you too take care to make everyday Christmas for your own woman or man.
Next, the delightfully cool Miss June Christy with, ‘Christmas Heart’. June was a veteran big band vocalist who followed Anita O’Day as the singer with Stan Kenton.
As a solo artist she made a magnificent album, ‘Something Cool’ which should be on the shelves of anyone with an appreciation of the art of jazz singing.
I have always found something deeply engaging in the understated, wistful tone June Christy brings to a song.
It seems she has stripped out all unnecessary flourishes so that we hear the essence of the song as she steers us gently to understanding through her embrace of the melody and lyric.
The lack of hectoring or self regard in, ‘Christmas Heart’ makes its dreamlike plea for Christmas to be a day when all the wounded find rest and balm all the more affecting.
You never really need to ask who is your neighbour – just look around you.
Today’s poem is, ‘Carol For The Last Christmas Eve’ by a favourite poet of mine, Norman Nicholson from Millom in England’s rural Cumbria.
Never fashionable Nicholson’s work will endure.
‘The first night, the first night, The night that Christ was born, His mother looked in his eyes and saw Her maker in her son.
The twelfth night, the twelfth night, After Christ was born, the Wise Men found the child and knew Their search had just begun.
…
But the last night, the last night, Since ever Christ was born, What his mother knew will be known again, And what was found by the Three Wise Men, And the sun will rise and so will we,
The Immortal Jukebox 