Ireland has been blessed with some extraordinary Singers.
Mary and Luke sing with natural authority.
Singing songs all their lives.
Silver songs of Freedom.
Songs for Ireland.
Louis MacNeice’s long autobiographical Poem, ‘Autumn Journal’ has had a prominent place on my shelves for more than 50 years now (I was a precocious Poetry devotee).
Today I feature two exquisite shorter poems which demonstrate his technical accomplishment and plangent imagination.
… I am not yet born; provide me With water to dandle me, grass to grow for me, trees to talk
to me, sky to sing to me, birds and a white light
in the back of my mind to guide me.
And ain’t it the truth ….
It’s no go the merrygoround, it’s no go the rickshaw,
All we want is a limousine and a ticket for the peepshow.
Their knickers are made of crepe-de-chine, their shoes are made of python,
Their halls are lined with tiger rugs and their walls with head of bison.
If you are Irish or know someone who is Irish or of Irish heritage (and that’s all of you!) please share these Hail St Patrick Posts as widely as possible.
Traditional Irish music demands far more than mere instrumental virtuosity from its practitioners.
What is demanded is cultural and spiritual engagement with the spirit of the music combined with deep listening to fellow musicians.
No better men to prove the point than Paul Brady and Arty McGlynn.
Paul Brady has featured here several times before as befits a master musician, songwriter, singer and performer.
Arty McGlynn, who sadly died recently, will be less well known to those who are not Irish music aficionados.
Arty, who I saw grace the stage many tines with Van Morrison, was by universal acclaim the premier guitarist in the traditional music world.
He seemed always able to find exactly the right parts to play both as a soloist and as a supportive accompanist.
Anyone playing with Arty was in the very best of company.
The clip below is from a 1976 TV Show and showcases Paul Brady’s great song Crazy Dreams before it had that title and before it was recorded with a rhapsodic full band electric arrangement.
Magnificent as that version remains I always wished the acoustic version below had been officially issued.
It doesn’t get any better !
Now let’s let Arty delight us with scintillating solo a Guitar.
To add to our revelries let’s now introduce master musicians Matt Molloy and John Carty
Sometimes a session opens up glorious musical vistas undreamed of before the first note was launched into the innocent air.
If you ever find yourself at such a session find yourself a good seat and settle in for the evening and let the magic do its work.
Now for some Poetry.
Bernard O’Donoghue has been a distinguished academic at Oxford University for many decades.
Yet, as his poems attest, imaginatively and emotionally he has always drawn nurture and inspiration from his Irish roots.
O’ Donahue’s poems are deeply felt and fully realised.
An architecture of the spirit.
There is an affecting spareness and reticence in tone which may owe much to his immersion in classical and medieval poetry.
The old thin ache you thought that you’d forgotten-
More smoke, admittedly than flame;
Less tears than rain. And the whole business
Neither here nor there, and therefore home.”
This Post Dedicated to the music and memory of Arty McGlynn.
Ar dheis Dé go raibh a anam (May his soul be seated on God’s right hand)
Well here in the South Downs March did indeed come in like a Lion.
A very angry Lion.
Storm force 11 tree felling, roof lifting, banshee howling winds.
Field flooding, roof rattling, better build your Ark now! torrential rain.
Still, we hunkered down, turned the Hi Fi high and the lights down low and emerged blinking into the revelation of a sunny day.
And, here at The Jukebox March always ushers in another celebration of Ireland’s stupendous contribution to art and culture.
So, without further ado let’s call up the majestic voice of Dolores Keane and surrender to her Emotional Force 12 version of, ‘Teddy O’Neill’.
… The pain in my heart was too deep to conceal …
You would think after hearing Dolores sing in such an imperious manner that no other singer would dare to take on Teddy O’Neill.
But, true artists, and Maura O’Connell is a true artist, know that the best compliment you can pay a giant presence in your own field is to admire, reflect and then do otherwise.
Listen to Maura’s miraculous glowing vocal, here with Folk Legends De Dannan.
There is a dying ember tenderness that deeply stirs the heart.
… All dark and silent … no piper … no reel …
Ah, Teddy, Teddy, to have stirred such dreams.
Such Dreams.
Our opening tip of the hat to Ireland’s poetic treasury is from Michael Hartnett who previously featured here with his mystic, ‘Necklace of Wrens’.
When the wren landed on Michael his grandmother soberly told him that this was a sign he was going to be a Poet.
When it comes to Poetry many are called but very few are chosen.
Michael Hartnett heard and responded full heartedly to his call and the rich harvest of his works demonstrate that he was indeed chosen.
Inchicore Haiku was a return to the English Language after many years of writing solely in Irish.
And, no one alive can survive without tidings of comfort and joy.
Comfort and Joy.
Too easy to default to dismay.
Hark! Hark! Hark!
Trust in the tidings.
Tidings of Comfort and Joy.
I have been an admirer of T Bone Burnett since his days in The Alpha band and his sojourn with Bob Dylan.
The thread connecting all his output as an Artist and Producer is an acute sense of how to establish mood spotlighting the virtues of a song through the adept balance of instrumentation and vocals.
Now for some more vintage Yuletide Jazz.
Tommy Dorsey and his Orchestra cutting quite a rug on Santa Claus Is Comin’ To Town.
Whether you’re on the naughty or the nice list this one will get your Foxtrottin’ feet gliding for the next three minutes or so.
Tommy, of course, on the Trombone.
Vocals by Cliff Weston and Edyth Wright.
Paul Weston provided the fluid arrangement.
Mac Cheikes on Guitar and Sid Stoneburn on Clarinet add the filigree.
Dylan Thomas was never going to make old bones.
When the following recording of ‘A Child’s Christmas in Wales’ was made in 1952 he had less than two years to live.
He never saw his 40th birthday yet he had already, though he spent his gifts profligately, laid down a legacy of immortal incantatory poetry which will always call out to be spoken and sung.
Whatever his excesses he was a true Poet well acquainted with close and holy darkness.
Pull up your most comfortable chair and follow Dylan’s sonorous voice as he leads you spiralling through the years to the heart of a child’s Christmas.
Always on Christmas night there was music.
An uncle played the fiddle, a cousin sang “Cherry Ripe,” and another uncle sang “Drake’s Drum.”
It was very warm in the little house.
Auntie Hannah, who had got on to the parsnip wine, sang a song about Bleeding Hearts and Death, and then another in which she said her heart was like a Bird’s Nest; and then everybody laughed again; and then I went to bed.
Looking through my bedroom window, out into the moonlight and the unending smoke-colored snow, I could see the lights in the windows of all the other houses on our hill and hear the music rising from them up the long, steady falling night. I turned the gas down, I got into bed.
I said some words to the close and holy darkness, and then I slept.
Next Alphabet Post on the 17th. M for …. Stay tuned!
Every one of us, poor as we may be, can bring a gift.
The gift of ourselves and the gifts we been given.
Our Hearts
Our Voices.
Our Drums.
Come they told me, pa rum pum pum pum A new born King to see, pa rum pum pum pum Our finest gifts we bring, pa rum pum pum pum To lay before the King, pa rum pum pum pum, rum pum pum pum, rum pum pum pum,
So to honor Him, pa rum pum pum pum, When we come.
Little Baby, pa rum pum pum pum I am a poor boy too, pa rum pum pum pum I have no gift to bring, pa rum pum pum pum That’s fit to give the King, pa rum pum pum pum, rum pum pum pum, rum pum pum pum,
Shall I play for you, pa rum pum pum pum, On my drum?
Mary nodded, pa rum pum pum pum The ox and lamb kept time, pa rum pum pum pum I played my drum for Him, pa rum pum pum pum I played my best for Him, pa rum pum pum pum, rum pum pum pum, rum pum pum pum,
Then He smiled at me, pa rum pum pum pum Me and my drum
Bob Seger is a tough hombre who understands that tough hombres sometimes need to admit that they are not so tough (even if they are from Detroit!).
You can rely on road warrior Bob to always play his best.
A gift indeed.
Pa rum pum pum pum,
rum pum pum pum, rum pum pum pum.
Now let’s hit a righteous Christmas groove with Jazz Maestros Jimmy Smith and Wes Montgomery.
When it comes to Organ and Guitar workouts you just can’t beat these two!
Even if it is up to your knees out there Jimmy and Wes will keep you mighty warm.
For our Poem today I turn to Jukebox Favourite Sigerson Clifford (1913 – 1985) whose ‘The Boys of Barr na Sráide’ previously featured here in the Posts for St Patrick series.
His ‘Kerry Carol’ has the stillness of the sleeping world and the hushed anticipation that precedes a great event.
And, sometimes, great events take place in the most humble of circumstances and are witnessed and understood best by the humble of heart.
Brush the floor and clean the hearth, And set the fire to keep, For they might visit us tonight When all the world’s asleep.
Don’t blow the tall white candle out But leave it burning bright, So that they’ll know they’re welcome here This holy Christmas night.
Leave out the bread and meat for them, And sweet milk for the Child, And they will bless the fire, that baked And, too, the hands that toiled.
For Joseph will be travel-tired, And Mary pale and wan, And they can sleep a little while Before they journey on.
They will be weary of the roads, And rest will comfort them, For it must be many a lonely mile From here to Bethlehem.
O long the road they have to go, The bad mile with the good, Till the journey ends on Calvary Beneath a cross of wood.
Leave the door upon the latch, And set the fire to keep, And pray they’ll rest with us tonight When all the world’s asleep.
This Christmas Eve leave your candle burning bright.
Burning bright.
Next Alphabet Post on the 15th. T for …. Don’t you dare miss it!
A very generous measure of hot buttered Rum poured.
Now, you need a smoother than smooth sound to maintain the mood.
Nothing better than Bonnie Raitt with Rhythm & Blues legend Charles Brown with a sultry duet version of, ‘Merry Christmas Baby’.
Now, don’t you feel all lit up like a Christmas Tree!
Kick back and pour yourself another (Eggnog anyone?)
Listen now to the Ramsey Lewis Trio’s perfect yuletide groove, ‘Christmas Blues’ beamed to you all the way from 1961.
Rainer Maria Rilke (1875-1926) wrote ravishing visionary poems which settle in the heart.
His Poem, ‘Advent’ will stay with you.
Recitation by Julia Koschitz.
Production and arrangement by Schönherz & Fleer.
Es treibt der Wind im Winterwalde die Flockenherde wie ein Hirt und manche Tanne ahnt, wie balde sie fromm und lichterheilig wird, und lauscht hinaus. Den weißen Wegen streckt sie die Zweige hin, bereit und wehrt dem Wind und wächst entgegen der einen Nacht der Herrlichkeit.
There in the wintry forest the wind blows a flock of snowflakes like a shepherd, and many a fir-tree guesses how soon it will be pious with holy lights, and listens. Towards the white path it stretches out its branches, ready, and braving the wind and growing toward that one Night of Glory.
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Set your Calendar now for December 11th and the next Post in the Christmas Alphabet, I for …
There’s no denying that when times are hard (and someone near you right now is having those hard times) Christmas can be a season of worry rather than wonder.
Sometimes you pray that somehow you will make it through December.
When things aren’t going well the prospect of Christmas can make you shiver more than the coldest Winter winds.
When you’ve got a family to support you’ve somehow got to hang on until the warmer winds appear.
You’ve got to make it through December.
Make it through.
Trust Merle Haggard, the working stiff’s balladeer, to tell it straight.
Let’s change the mood with some more Vintage Jazz.
Don Redman leads an All Star band featuring the imperious Tenor Saxophone of Coleman Hawkins.
I think we can safely say that now we have found those warmer winds!
Throw another log on the fire!
Trumpets : Joe Wilder, Charlie Shavers and Al Mattaliano
Trombones : Sonny Russo, Jimmy Cleveland and Bobby Byrne
Saxophones : Don Redman George Dorsey, Milt Yaner, Al Cohn, Seldon Powell and Coleman Hawkins.
Piano : Hank Jones, Guitar : George Barnes, Bass : Al Hall Drums : Osie Johnson
New York, July 1957
Thomas Hardy as Poet and Novelist proved himself to be a fearless, wintery, anatomist of the human heart.
So, his Poem, ‘The Oxen’ has for me a special poignancy in the heart wrenching desire to believe that there yet may be miracles in the gloom.
Christmas Eve, and twelve of the clock.
“Now they are all on their knees,”
An elder said as we sat in a flock
By the embers in hearthside ease.
*
We pictured the meek mild creatures where
They dwelt in their strawy pen,
Nor did it occur to one of us there
To doubt they were kneeling then.
*
So fair a fancy few would weave
In these years! Yet, I feel,
If someone said on Christmas Eve,
“Come; see the oxen kneel,
*
“In the lonely barton by yonder coomb
Our childhood used to know,”
I should go with him in the gloom,
Hoping it might be so.
*
Here’s a gorgeous setting by Jonathan Rathbone sung by The Swingle Singers from their 1994 CD, ‘The Story of Christmas’.
If you have enjoyed this Post please share it as widely as you can!
Set your Calendar now for December 9th and the next Christmas Alphabet Post R for …
A chance to look back at all that you have done and the things you didn’t quite get round to doing.
A chance to look forward and plan for a brighter future.
I hope you and yours have fun.
Take the time to cherish the near and the dear ones and remember those far away in time and space.
Indulge the young and the old.
Be kind to yourself.
Merry Christmas!
The Immortal Jukebox once again celebrates the season with a Christmas Alphabet stuffed with musical and poetic delights.
Let’s begin with a tender meditation from Mary Chapin Carpenter.
‘Still, still, still’ is an Austrian Weihnachtslied a Christmas Carol and a lullaby.
The melody is a mid 19th Century folk tune from Salzburg.
The German Lyric has been attributed to Georg Gotsch.
Mary’s vocal and the arrangement beautifully capture the feeling of vigil, stillness and mystery as the drifting snow wraps us in peaceful sleep while the angels keep their watch.
Sleep, sleep, sleep.
Dream, dream, dream.
Still, still, still.
Still, still, still.
Still, still, still One can hear the falling snow For all is hushed The world is sleeping Holy Star its vigil keeping Still, still, still One can hear the falling snow
Sleep, sleep, sleep ‘Tis the eve of our Saviour’s birth The night is peaceful all around you Close your eyes Let sleep surround you Sleep, sleep, sleep ‘Tis the eve of our Saviour’s birth
Dream, dream, dream Of the joyous day to come While guardian angels without number Watch you as you sweetly slumber Dream, dream, dream
Of the joyous day to come
Our next selection features a giant of Jazz, Benny Carter, who effortlessly combined wit and elegance in his arrangements and Instrumental virtuosity.
Here he is from 1936 leading his Swinging Quintet with my all time favourite version of ‘Jingle Bells’.
Hop aboard the Sleigh!
Jingle Bells was recorded in London in 1936 with Benny on Clarinet and Alto Sax, Scotland’s Tommy McQuater was on Trumpet, England’s Gerry Moore on Piano, Albert Harris on Guitar, Wally Morris on Bass and Al Graig on Drums.
Now a Poem from the great English Poet John Clare (1793-1864).
I discovered John Clare in my late teens and have been a fervent admirer of his work ever since.
His Poem, ‘Christmas Time’ is characteristically generous of heart and acutely observed.
Glad Christmas comes, and every hearth Makes room to give him welcome now, E’en want will dry its tears in mirth, And crown him with a holly bough; Though tramping ‘neath a winter sky, O’er snowy paths and rimy stiles, The housewife sets her spinning by To bid him welcome with her smiles.
Each house is swept the day before, And windows stuck with evergreens, The snow is besom’d from the door, And comfort the crowns the cottage scenes. Gilt holly, with its thorny pricks, And yew and box, with berries small, These deck the unused candlesticks, And pictures hanging by the wall.
Neighbors resume their annual cheer, Wishing, with smiles and spirits high, Glad Christmas and a happy year To every morning passer-by; Milkmaids their Christmas journeys go, Accompanied with favour’d swain; And children pace the crumpling snow, To taste their granny’s cake again.
The shepherd, now no more afraid, Since custom doth the chance bestow, Starts up to kiss the giggling maid Beneath the branch of mistletoe That ‘neath each cottage beam is seen, With pearl-like berries shining gay; The shadow still of what hath been, Which fashion yearly fades away.
The singing waits — a merry throng, At early morn, with simple skill, Yet imitate the angel’s song And chaunt their Christmas ditty still; And, ‘mid the storm that dies and swells By fits, in hummings softly steals The music of the village bells, Ringing around their merry peals.
When this is past, a merry crew, Bedecked in masks and ribbons gay, The Morris Dance, their sports renew, And act their winter evening play. The clown turned king, for penny praise, Storms with the actor’s strut and swell, And harlequin, a laugh to raise, Wears his hunch-back and tinkling bell.
And oft for pence and spicy ale, With winter nosegays pinned before, The wassail-singer tells her tale, And drawls her Christmas carols o’er. While ‘prentice boy, with ruddy face, And rime-bepowdered dancing locks, From door to door, with happy face, Runs round to claim his “Christmas-box.”
The block upon the fire is put, To sanction custom’s old desires, And many a fagot’s bands are cut For the old farmer’s Christmas fires; Where loud-tongued gladness joins the throng, And Winter meets the warmth of May, Till, feeling soon the heat too strong, He rubs his shins and draws away.
While snows the window-panes bedim, The fire curls up a sunny charm, Where, creaming o’er the pitcher’s rim, The flowering ale is set to warm. Mirth full of joy as summer bees Sits there its pleasures to impart, And children, ‘tween their parents’ knees, Sing scraps of carols off by heart.
And some, to view the winter weathers, Climb up the window seat with glee, Likening the snow to falling feathers, In fancy’s infant ecstacy; Laughing, with superstitious love, O’er visions wild that youth supplies, Of people pulling geese above, And keeping Christmas in the skies.
As though the homestead trees were drest, In lieu of snow, with dancing leaves, As though the sun-dried martin’s nest, Instead of ic’cles hung the eves; The children hail the happy day — As if the snow were April’s grass, And pleased, as ‘neath the warmth of May, Sport o’er the water froze to glass.
Thou day of happy sound and mirth, That long with childish memory stays, How blest around the cottage hearth, I met thee in my younger days, Harping, with rapture’s dreaming joys, On presents which thy coming found, The welcome sight of little toys, The Christmas gift of cousins round.
About the glowing hearth at night, The harmless laugh and winter tale Go round; while parting friends delight To toast each other o’er their ale. The cotter oft with quiet zeal Will, musing, o’er his bible lean; While, in the dark the lovers steal, To kiss and toy behind the screen.
Old customs! Oh! I love the sound, However simple they may be; Whate’er with time hath sanction found, Is welcome, and is dear to me, Pride grows above simplicity, And spurns them from her haughty mind; And soon the poet’s song will be The only refuge they can find.
Don’t hesitate to share The Christmas Alphabet as widely as possible – spread the Christmas Cheer!
Notes :
‘Still, still, still’ can be found on Mary Chapin Carpenter’s highly recommended CD, ‘Come Darkness, Come Light’.
My favourite Benny Carter compilation is a 4 CD set from Proper, ‘Music Master’.
‘John Clare : The Major Works’ from Oxford University Press is an excellent compendium of both his Poetry and his autobiographical writings.
‘John Clare : A Biography’ by Jonathan Bate from Picador is a superb critical study fully worthy of its subject.
Set Your Calendar now for December 7th and the next Christmas Alphabet Post – H for ….