Creedence Clearwater Revival : Bad Moon Rising

‘Creedence were never the hippest Band in the world – but they were the best!’ (Bruce Springsteen).

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‘I know that buried deep inside me are all these little bits and pieces of Americana. It’s deep in my heart, deep in my soul.’ (John Fogerty)

 

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Gutta cavat lapidem non vi sed saepe cadendo.

A water drop hollows a stone – not by force but by falling often.

Or, if you want to really master a craft you need to put in the hours.

Consider The Beatles in Hamburg forgoing sleep and comfort to play set after set until they were a band that had deep trust in each other and their abilitiy to hold and move an audience.

Consider, today, Creedence Clearwater Revival.

In 1969/1970/1971 there was no doubt who the top singles Band in the World were; how’s this for a sequence of classics:

Proud Mary/Born on the Bayou,

Bad Moon Rising/Lodi,

Green River/Commotion,

Down on the Corner/Fortunate Son,

It Came Out of the Sky/Cottonfields,

Travelin’ Band/Who’ll Stop the Rain?,

Run Through the Jungle/Up Around the Bend,

Lookin’ Out My Back Door/Long As I Can See the Light,

Have You Ever Seen the Rain/Hey Tonight.

Yowza! Yowza! Yowza!

Boy Howdy!

That’s a streak of inspiration and connection with your audience on a par with Chuck Berry or Lennon & McCartney at their peak.

Their omnipresence on the radio and on the charts was the result of years and years of unheralded toil.

Their emergence on the national and world stage only came after a full decade of slogging up and down the Pacific Coast, round the punishing circuit of military bases, small town clubs and dingy dance halls following their formation by Tom Fogerty in 1959 as The Blue Velvets.

Thousand of miles and thousands of hours binding Tom Fogerty, Stu Cook, Doug Clifford and John Fogerty together into a potent Rock ‘n’ Roll force.

Stu Cook and Doug Clifford forging a Zen rhythm section with Tom Fogerty.

Sometime, Somewhere along those endless highways, John Fogerty, the 14 year old kid who joined his big brother’s band transmogrified into a world class singer, songwriter and guitarist with a sound and vision of his own that resonated deeply with the society he lived in and zeroed into the heart of the Zeitgeist.

This was a young man who had been electrified by the visceral power of the 50s Rock ‘n’ Roll Masters and who wouldn’t settle for any music that couldn’t match that power – live up to that challenge.

He worked out a recipe for making sure fire great Rock ‘n’ Roll records and then with the fullest measure of inspiration and perspiration set about matching his idols.

First : You just gotta have a great title.

Think, ‘Heartbreak Hotel’, ‘Sweet Little Sixteen’, ‘Blue Suede Shoes’, ‘Great Balls of Fire!’.

So, he carried a notebook and every time a title popped up in his head that sounded like the title of a classic song, he carefully wrote it down and set his mind to writing the rest of the song.

Titles in John’s Notebook – ‘Proud Mary’, ‘Born on the Bayou’, ‘Up Around the Bend’, ‘Green River’ and, yes, oh Yes – ‘Bad Moon Rising’.

Second : The Song has to connect with the real lives of your audience.

Think, ‘Schooldays’, ‘I Saw Her Standing There’, ‘Dead End Street’.

It should seem so true that once you heard it the first time you could sing it to yourself or a friend (you’d want to share it with a friend) even if the record wasn’t playing in the background.

So, John Fogerty songs are true and resonate whether you’re looking up at the stars in California, Calcutta, Carlisle or Khe Sanh.

Everyone has times when they wonder, for themselves and those around them, Who will stop the Rain?

Everyone has times when they hope, sometimes against hope, that they will be able to hold on and come through as long as they can see at least a glimmer of the light.

Everyone knows one of those Fortunate Sons who is protected by wealth and influence from the grim realities the rest of us have to endure.

Everyone, for humans are a Lunar People hungry for auguries, has at some time looked up into the night sky and said to themselves and to those around them, with dread :

I see a bad moon a-rising … I see trouble on the way … Don’t go ’round tonight
It’s bound to take your life … There’s a bad moon on the rise

 

Third : You just Gotta have a great Guitar lick.

Think, ‘Johnny B Goode’, ‘Hello Mary Lou’, ‘You Really Got Me’, ‘Gloria’.

So, John Fogerty spent hours and hours with his, ‘Black Beauty’ Les Paul custom searching for that Lick, That Lick, the one that would come roaring out of the radio or Jukebox speakers and turn every head, set every toe tapping, get every heart leaping.

And, time after time, time after time, John Fogerty found that magic Lick – the one you can’t argue about, can’t deny.

The Lick that thrills the first time and still thrills the thousandth time.

Nunc, if you get a great title that resonates with the real lives of your audience and you craft a great Guitar Lick and have a Band who will support you through every bar as you sing that Song with irresistible power you are going to make a great Rock ‘n’ Roll Record.

And,if you are John Fogerty with Creedence Clearwater Revival you will make a  Record in, ‘Bad Moon Rising’ that enters the very DNA of Rock ‘n’ Roll.

 

In Remembrance : June Tabor – The Band Played Waltzing Matilda

In 1914 they came from the hamlets and the villages and the towns and the cities.

They came from the hills and the mountains and the valleys.

Farmers and miners.

Teachers and doctors.

White, Brown and Black.

They  marched away from Home with smiles on their faces.

They knew they would be Home again soon.

Today it is exactly 100 years since the guns fell silent ending World War One.

The emotional, spiritual, pyschic and cultural cost of such a war is beyond all human calculation.

A cataclysm shattering hearts and minds.

Shattering philosophies and faiths.

Shattering nations and societies.

Shattering hopes and dreams.

Shattering comfortable certainties..

The toll in terms of deaths and casualties we can, in awe, to some extent number.

From Australia : Lieutenant Joseph Balfe from Brunswick aged 25 and more than 62, 000 of his comrades.

From Canada : Private Percy Bark aged 18 and more than 64,000 of his comrades.

From India : Zaman Khan and more than 73,000 of his comrades.

From New Zealand : Private William Dunbar aged 29 and more than 18,000 of his comrades.

From South Africa : Overton Mason aged 38 and more than 9,000 of his comrades.

From Belgium : Guillaume Lemmens aged 21 and more than 58,000 of his comrades.

From The United Kingdom : George Ellison and more than 880,000 of his comrades.

From France : Robert Laval aged 21 and more than 1,397,000 of his comrades.

From Italy : Elio Battista and more than 650,000 of his comrades.

From Ireland : Tom Kettle aged 36 and more than 15,000 of his comrades.

From Greece more than 25,000 comrades fell.

From Japan more than 4,500 comrades fell.

From Montenegro more than 13,000 comrades fell.

From Portugal more than 7,000  comrades fell.

From Russia more than 2 Million comrades fell.

From Romania more than 330,000 comrades fell.

From Serbia more than 400,000 comrades fell.

From The United States more than 115,000 comrades fell.

From Austria – Hungary more than 1,400,000 comrades fell.

From Bulgaria more than 85,000 comrades fell.

From Germany more than 2 Million comrades fell.

From The Ottoman Empire more than 700,000 comrades fell.

And what was it for?

And what was it for?

Rain, midnight rain, nothing but the wild rain
On this bleak hut, and solitude, and me
Remembering again that I shall die
And neither hear the rain nor give it thanks
For washing me cleaner than I have been
Since I was born into solitude.
Blessed are the dead that the rain rains upon:
But here I pray that none whom once I loved
Is dying tonight or lying still awake
Solitary, listening to the rain,
Either in pain or thus in sympathy
Helpless among the living and the dead,
Like a cold water among broken reeds,
Myriads of broken reeds all still and stiff,
Like me who have no love which this wild rain
Has not dissolved except the love of death,
If love it be towards what is perfect and
Cannot, the tempest tells me, disappoint. (Edward Thomas)

 

And then at 11am on November 11 1918  it was over.

 

Over as far as any war can be for those who survived returning forever scarred in body and mind.

Over as far as can be for those who endured years in prisoner of War camps.

Over as far as can be for the Mothers and Fathers who lost their Sons.

Over as far as can be for the girls who lost their first love.

Over as far as can be for the fiancés who never married the man whose ring they wore.

Over as far as can be for the widows who lived on mourning the vanished husband.

Over as far as can be for the sons and daughters trying to persuade themselves they remember their father – the soldier in the photo on the mantelpiece.

Over as far as it can be for old soldiers years later suddenly remembering the comrade who died in the last hours of that last day.

 

 

Remember these Dead.

Remember them.

Remember them.

 

 

Remember these dead.

Remember them.

Remember them.

Richard & Linda Thompson : Down Where The Drunkards Roll

Some of us move surefooted through this wicked world.

Insouciantly dodging the broken pavements, the hidden potholes and the disguised ditches.

Most of us get by more or less intact.

Sometimes tripping.

Sometimes stumbling.

Sometimes falling flat on our face.

Everybody, everybody, Falls.

We get by because we are uplifted, caught, by a net of love and affection laid down by  our family and friends.

The cuts and bruises, initially so dramatic, fade away and heal.

Barely limping we march on down life’s highway.

But, there are others among us for whom no net is spread or for whom no net is strong enough – so fast and surely do they Fall.

These afflicted Souls have always lived in some dark corner of every town, in every land, in every era.

You probably know where they congregate in your town.

Though you may pass by at speed you’ll know where The Drunkards Roll.

You may have been, in your days of youth, one of those regularly out walking, dressed up, gallant, cheerily passing, night after night, the keg of wine from hand to hand.

Except, for you, it was a spree you left behind which you now recall half with a smile, half with a shudder.

Not for you the DTs, the shakes and the horrors.

But one or more among you never returned to the broad highway.

One or more among you returned again and again to the dark end of town until it became their physical and spiritual address.

Where’s Bill these days?

Where’s Alice?

Whatever became of Phil?

You’ll never guess where I saw Mary!

Down where the Drunkards Roll.

Down where the Drunkards Roll.

Ah but every one of those Souls has a tale to tell you about how their fall, their particular fall, was so certain, so sure and now it seems so final.

Who will listen?

Who will listen to those tales and retell them with respect?

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Who will see and sing for this Drunkard – an orphan who though sent to, ‘A Home’  never, never, found a home and a family to love him and for him to love?

Who will see and sing for this Drunkard – a girl who learned at unbearable cost that some sacred trusts are betrayed and can never be spoken about out loud or sober?

Who will see and sing for this Drunkard – a priest who found he could just about bear the secrets he was told but who broke down because of the weight of the secrets of his own?

Who will see and sing for this Drunkard – a rain sodden, once ramrod straight soldier with medals flashing in the sun, who now after so many deaths, so much loss, shambles along shouting oaths to the winds in stained pants?

Who will hear these shouts, these blasted cries and curses and hear in them some echo of hymns and praises?

Who will see and sing for this Drunkard – the gambler who drew losing hand after losing hand until there was nothing left for her to lose?

Who will see and sing for this Drunkard – he sports a Sailor’s cap and in raddled talk he tells of exotic ports and tropical island girls he left behind; yet he knows and we know he never left dry land?

Maybe, only Lord Jesus will truly understand.

Who among us now will see and sing and try to understand?

Who among us will see, sing and tell their tale?

See, sing and tell their tale?

 

 

Richard and Linda Thompson from their stunning 1974 debut Album, ‘I Want to See the Bright Lights Tonight’.

A radical, clear sighted, aching tenderness suffuses the whole record.

It’s present in every note of Richard’s limpid guitar.

It’s present in every syllable of Linda’s heart wrenching vocals.

In Down Where The Drunkards Roll they achieve a rare state of musical empathy and grace.

There is nothing voyeuristic or callous here nor any empty greetings card sentiment.

Richard Thompson accepts that the world can be a desolate place filled with dread.

Not shrinking from the fathomless cliffs of fall he yet conjures consolatory beauty.

He has heard and not shrunk from midnight’s broken toll.

Staring into the darkness with a steady heart he can write, sing and play songs that honour the Drunkards and the ‘confused, accused, misused, strung-out ones an’ worse’.

Oh, and if you ask me, if you’re looking for Lord Jesus, I wouldn’t go looking on 5th Avenue or Bond Street, Passeig de Gracia or Arbat Street.

No.

No, I would cross to the far side of the tracks.

I would seek the alley where no lights shine.

The place filled with gamblers who never drew a hand.

With sailors who never left dry land.

I would look in the slums and the favelas.

I am as certain as certain can be you’ll find him Down Where The Drunkards Roll.

Down Where The Drunkards Roll.

And, if you need to fortify your Soul as you journey here’s a song to keep in your heart.

 

 

Notes :

I listened to many very fine versions of this song including solo live versions by Richard, The Thompson Family, Loudon & Rufus Wainwright, Jon Boden and Bellowhead.

They all have something to recommend them.

None however can match the plangent perfection of the original which also features Simon Nichol and Trevor Lucas.

Ry Cooder & The Chieftains : The Coast of Malabar (A Sailor’s Reverie)

Aye, I’m here every morning.

An Seancheann. The Old Head of Kinsale.

I start out early with the Hound.

I watch the timeless waves.

Watch them come dazzling round into the rocks.

Looking down I hear the tides flowing to and fro.

To and fro.

The Sea’s a swell that’s been there since the very beginning.

And, it will keep on heaving until time stops and God clangs The Bell.

Nowadays I don’t stir my stumps beyond this Headland.

Oh, but there was a time when I had an awful yen for things and places remote.

Nothing for it but to sail for forbidden Seas and sport on barbarous Coasts.

The wild call of the running tide.

Flung spray. Blown spume. Gulls crying and the white clouds flying.

White sails straining in a wind like a whetted knife.

I followed The Leviathan.

Sailed the length and breadth of The Whale Road.

A grand gypsy life.

Hermanus.  Plettenberg.  Luderitz.

Walvis Bay.  Cape Lopez.  Baia dos Tigres.

Ponta do Ouro.  Tristan Da Cunha.  Bahia.

Tierra del Fuego.  Deseado.  Wilson’s Promontory.  Macquarie Island.

The Cocos Islands. Diego Garcia. Kiribati.

The Coast of Malabar.

The Coast of Malabar.

That’s where I met her.

Far away across the Ocean anchored under an Indian Star.

Sometimes I take a walk along the strand.

And, I scribe her name right there on the sand.

Ah Sure I know the rolling Sea will wash it away but as long as my legs hold out I’ll write it there again and again and again.

Some things you never forget though the decades pass and you grow old.

You might look at me and see a rheumy eyed Rummy.

Aye and you’d be right.

But, Tornado blasted as I am there’ll always be a part of me deep down, despite all the woes, that’s bathed in joy.

Until I reach the final harbour I’ll always have the memory of my dusky dark eyed maiden.

Shy and sweet with the wild waves at her feet.

Oh my thoughts keep ever turning to that far off distant shore.

To that dark eyed girl who loved me.

Loved me.

I hear her calling across the ocean wild and far.

From The Coast of Malabar.

In my heart I live forever on The Coast of Malabar.

On The Coast of Malabar.

The Coast of Malabar.

 

 

Ry Cooder and The Chieftains are great musical collaborators.

And, here their partnership casts an oceanic musical spell.

Together Ry, Paddy Moloney, Sean Keane, Kevin Conneff, Matt Molloy and Derek Bell set our spirits and imaginations surging far beyond our hearts harbour.

The deep sway of the recording is very rarely achieved since only imusicians of great technical resource, emotional intelligence and artistic humility can play with such transfixing simplicity.

Take a voyage with them to The Coast of Malabar.

 

This Post for my Brother Ger on his Birthday.

Three score years we have shared and supported each others dreams.

Sail on Brother. Sail on.

Notes :

There are fine versions of the song by Liam Clancy & Tommy Makem and Sean Tyrell.

Van Morrison : And It Stoned Me (Everyday Mysticsm)

Van Morrison is a Dweller on The Threshold.

An Everyday Mystic.

So am I  – and so are you.

Except he holds theses titles in Capital Letters while ours are lower case.

That’s because through his enormous gifts as a songwriter, singer and performer he has been able to make present experiences we have all had but are generally unable to express.

Experiences we so often let pass by.

Pass by.

Experiences he makes present in all their Revelation.

In all their Revelation.

And, it’s everpresent everywhere.

Everpresent everywhere.

The alchemy of his genius is through incandescent song to evoke, make present, states of being that are, at least in this world, necessarily fleeting.

A song like, ‘And it Stoned Me’ is a miraculous transmission from beyond the threshold (one of several such works of wonder on the Moondance Album).

An everyday event – a Boyhood fishing trip in the country blessed by Rain and Sun – gives us glimpses of Eternity.

Glimpses that once seen can neve be unseen.

Oh the Water. Oh the Water. Oh the Water.

Rest and Grace.

Coming to you like a mountain stream.

Oh, Oh, and it will Stone you right to your very Soul.

And, out of the corner of  your inner eye you can see the steps of time dissolve.

And, see yourself and the world in a new light.

Hey! There You Are!

There You Are.

Just like going Home.

Going Home.

 

 

 

Van’s vocal here flows with the authority of a great River making its peaceful way to The Sea.

On Guitar John Platania, as always, plays with elegant passion.

Jeff Labes, on Piano, makes us feel the flow and dappled delight of that River.

The Horns of Jack Schröer and Colin Tilton bring us the warmth of the Sun.

John Klingberg and Gary Mallaber On Bass and Drums provide the motive current sweeping us along.

Together with their leader they bring us balm and blessing as they stone us to our very Souls.

Dive right In.

Right In.

Dont let it pass you by.

Pete Townshend, Willie Mitchell, Robert Parker : Barefootin’

My Uncle Joe was, in the hierarchy of his own mind, first a Kerryman, next a Gaelic Football fanatic, then an Irishman and finally a Farmer.

He was at once; very strong and gentle, full of strong opinions and quietly spoken.

He was not much given to offering advice – least of all to his bookish, non stop talking, citified nephew over from London for the Summer Holidays.

So, on the very rare ocassions when he did offer advice I listened closely.

As we were companionably going to The Creamery one August morning, our conversation proceeding at the steady pace of the donkey pulling the cart we rode, I told Joe I wanted a new pair of shoes, nay Beatle Boots!, for my 9th Birthday.

Joe was not a devotee of the four lads from Liverpool but it turned out to my surprise that he was very interested in the subject of Boots and the necessity, nay the duty, to purchase the very best Boots you could afford (and maybe those that were more expensive than you could truly afford) as a ‘Proper pair of Boots was an investment, an Investment, that would repay you many times over as the years passed by’.

He went further, ‘If you’re not going to wear a proper pair of Boots you might as well go barefoot. Barefoot!’

Accepting his argument a fine strong pair of countryman’s Boots we’re wrapped up before the week was out and once opened I barely took them off for the next year.

Joe died tragically young when he was not yet fifty.

I think of him every time I buy a new pair of Boots ; mentally composing a letter :

’Joe, I spent the money I got for my college scholarship on a pair of Tricker’s Boots – a pure investment!’

’Joe, you’ll never believe it! I found a pair of Redwing Boots  (the ones from Minnesota) in a  charity shop for £15!’

‘Joe, there’s twenty guys in this office and I’m the only one who had invested in a decent pair of Boots – sure they might as well be barefoot!’

‘Joe, if I get that pay rise I’m going to invest in a pair of New and Lingwood Chukka Boots (actually I’ve bought them already – bound to get that rise!)

Of course, in the right circumstances, being barefoot is just the thing.

If you ask people to supply an image of being carefree I’ll guarantee you a healthy percentage will paint a picture of walking barefoot along a sun kissed sandy beach.

Sure works for me.

I’m also reminded of a lovely (though possibly apocryphal) about two Irish athletes lining up at the start of the 1960 Rome Olympics Marathon.

Looking around at the assembled greats of the long distance running world they were startled to see a rail thin African runner who seemingly had neglected to bring his running shoes with him.

They agreed that whoever else they had to worry about they would surely have no trouble in outpacing this competitor!

As it turned out the mystery runner was none other than Abebe Bikele from Ethiopia who would run barefoot every step of the 26 miles through the glorious rubble of Rome before cruising to the Gold Medal!

Sometimes barefoot is just the thing.

Come on … Everybody get on your feet … you make me nervous when you in your seat … take off your shoes!

Barefootin’ … Barefootin’ …. Barefootin’

Doin’ a dance that cant be beat!

Barefootin’!

No word of a lie – can’t be beat, can’t be beat!

Robert Parker from 1966 with yet another classic from New Orleans which became a huge R&B and Pop Chart Hit.

Brilliantly arranged by the great Wardell Quezergue, ‘Barefootin” showcases the superb rhythmic sense of Crescent City musicians.

Robert’s vocal is graced by ambrosial guitar and a horn section that demands you dance and keep dancing as long as your feet hold out!

Take off your shoes and Dance Now!

Take off your Shoes!

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Robert Parker was already a veteran of the New Orleans music scene in 1966 when his name briefly hit the headlines.

Growing up with Huey Smith and Sugar Boy Crawford he haunted the Caldonia Inn to watch the legendary Professor Longhair strut his stuff,

By 1949 Robert was playing with The Shuffling Hungarians (got to get that T Shirt!) and recording Mardi Gras in New Orleans with the great man.

He moved on to lead his own band at The Tijuana where he backed up Bobby Marchan, Guitar Slim and Little Richard.

Taking his band, The Royals, on the road he laid down the groove for R&B stars like Roy Brown, Big Joe Turner and Solomon Burke – what I wouldn’t give to time travel back to those days to catch them burning the house down in a club in Florida or Texas!

Robert’s recording highlights before ‘Barefootin;’ include appearing in 1959 on the wonderful, ‘Don’t You Know Yockomo’ with Huey Smith  and on Irma Thomas’ characteristically smouldering, ‘Don’t Mess with My Man’.

The same year he also made his solo record debut with, ‘All Night Long’.

All this time Robert was primarily a Sax Man and Bandleader who could handle a vocal when required.

Though Robert was well known around New Orleans and on the southern touring circuit I doubt anyone was expecting him to write and record an R&B classic that would sell a million copies and have a continuing afterlife in cover versions both in America and the UK.

Strange things happening everyday!

One day Robert fetched up at Tuskegee University in Alabama and he noted that as he began to play the college girls all took off their shoes in front of the bandstand.

This incident was filed away and when about to start a show in Miami he heard the Comic/MC announce – everybody get on your feet; you make me nervous when you’re in your seat’ the creative tumblers turned and clicked and Voila! a song was born.

Now when Robert took the song to Wardell at NOLA Records it was swiftly recorded … but.. but .. the other powers at NOLA didn’t hear a Hit so it languished in the tape vaults for a year until sharp earned local DJ Hank Sample heard it and persuaded NOLA to issue some copies to his Record Store.

They promptly sold like hot cakes and Robert had a great big fat Hit on his hands!

The crowd at New York’s Apollo Theatre went wild when Robert kicked off his shoes and kickstarted the band into, Barefootin’’.

Robert never had another Smash but he remained a much loved figure in The Crescent City and he was properly inducted into the Lousiana Music Hall of Fame in 2007.

Regular readers will know that I would take some persuading that any other city can truly rival New Orleans for the accolade of being dubbed the premier Music City.

However, one of the few cities that might be considered a genuine rival is Nashville.

And, from there comes the next version of, ‘Barefootin’’ featured today courtesy of some of the finest players ever to record there – Barefoot Jerry.

Key members Wayne Moss and Charlie McCoy had been part of an A Team that gathered around Bob Dylan when he brought his kaleidoscopic imagination to Nashville in yet another of his artistic rebirths.

Take off your Shoes!

We got ourselves a Hootenany and a Hoedown!

 

 

Next we move downriver to Memphis which cedes to no City in musical eminence.

So many great singers, songwriters, musicians and producers!

And, right at the very top of that tree undoubtedly one Willie Mitchell who is one of the all time great exponents of finding the secret alchemy for making classic records.

Find a great band of musicians and find the songs and the arrangements and groove!

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It worked countless times with Al Green and Ann Peebles in particular.

Less well known are the addictive sides Willie made under his own name.

Once the band locks into the groove here even Zombies would be getting Barefoot with some despatch!

Take off your shoes and throw them away!

 

I was born far, far away from the fabled Music CIties above yet it turns out that London, the home of some of the most knowledgeable and fanatical music devotes on the entire globe, was just the place to imbibe the sounds of all those great American conurbations.

Whatever kind of music you groove to someone in London knows all about it in exhaustive detail.

Growing up in London, one Pete Townhend fed the creative muse that would make him one of the most gifted and celebrated songwriters of his age through deep immersion in the traditions of R&B, Rock ‘n’ Roll and Soul Music.

And, that love of the drive of those 40s and 50s sounds fed into the astounding attack of his records and live shows.

Wonderful to see him celebrating his musical heritage in the  joyous performance below.

Surely Pete has been Barefootin’ ever since he was Two!

Anyone sitting in their seat as this one plays must have a serious back problem!

Doesn’t he cut a mean rug!

I like to Mambo.

I like to Samba.

Never go too long without Twisting the Night Away.

Always ready for The Locomotion.

I’m partial to a Polka and never weary of The Waltz.

But, today ain’t no other Dance will do.

Everybody get on your feet!

Let’s do a Dance that can’t be beat!

Come on!

We Barefootin ‘

Barefootin’

Barefootin’!

 

Note :

This Post written wearing Redwing Boots.

Playback dancing strictly Barefoot!

Emmylou Harris, Roy Buchanan, Tommy McLain & Patsy Cline : Sweet Dreams

Somewhere East of Eden Dawn breaks.

You open your eyes to greet The Sun.

That lucky old Sun, He got nothing to do but roll around Heaven all day.

All Day.

Now, you have lots to do.

You have goals and tasks and targets.

You have reflections and reviews to consider.

You have outcomes and KPIs to attain.

You have stratagems.

Things to do. Places to be.

Youre on the case. You’re in charge.

All day. Every Day.

Until, eventually, that lucky old Sun has rolled all around Heaven to set in The West.

Now, The Moon has dominion.

Now, you need your sleep before you can face another busy, busy Day.

And, with Sleep, unbidden, unstoppable, come The Dreams.

Everybody has them Dreams.

Dreamers find their way by Moonlight.

The Captain of the Watch and his Guards are no longer at attention – in fact they are carousing in the Town – AWOL.

And, if they should glance up from their cups all they will say is:

He is a dreamer; let us leave him : Pass.

Unfettered you slip the bonds of time and are free to wander the echoing halls of memory.

Free to peer into the open doors and to ascend/descend the Escher stairs to secret rooms.

Who knows who you will meet?

Perchance all that we see or seem is but a dream within a dream.

Perchance dreams are all you will truly ever own.

Poor as you are you have your dreams.

You have your dreams.

And, you have to dream if you are to live.

Though you are nothing you have in you all the dreams of the world.

Life without dreams is a broken winged bird.

Some dreams will not survive the fluttering of your opening eyelids.

Some dreams will stay with you for ever after and permanently alter the colour of your mind.

Some dreams, though you are yet to know it, will be the last, the very last, dream of your soul.

Some dreams are nought but the gleanings of an empty heart.

An empty heart.

Why can’t I forget my past and live my life anew …

Instead, instead, instead.

Instead I’m having Sweet Dreams about you.

Sweet Dreams about you.

 

Don Gibson, the Nashville Laureate of Heartbreak, wrote, ‘Sweet Dreams’ in 1955 and singers have been launching it into the ether ever since.

Don put it out first but it was Faron Young who had the first Hit.

Don had another go in 1960 and emerged with a nice morose version that got even more people listening.

But, in 1963 Patsy Cline, who sang supremely in the Key of Heartbreak took the song to another dimension of feeling.

Patsy Cline had a voice that seemed to possess ancient knowing about the human heart.

Every Patsy Cline vocal is an intense drama that commands you to listen with deep attention.

Her bruised and anguished tones tell you; this is how it is and you know it too don’t you?

You might not want to admit it but Patsy makes it plain.

No good pretending.

Troublous dreams this night doth make me sad.

I should hate you the whole night through.

The whole night through.

Instead I’m having Sweet Dreams about you.

Once you’ve fallen asleep none can know what dreams may come.

Should you be grieved in the spirit visions in your head may trouble you all your live long days.

Jacob and Daniel and Joseph.

And in 1966 from Jonesville Louisiana Tommy McLain.

Image result for tommy mclain images

 

Tommy’s version of Sweet Dreams will play forever in your dreams from the moment you first hear it.

Surely this version was recorded direct from the soundboard of your dreaming soul.

Why cant I forget my past and live my life anew?

Why, Why, Why!

Tommy’s time banishing, heart stopping, ethereal vocal seems to surround your senses with the vibraphone adding further levels of sensual derangement.

Floyd Soileau recorded Tommy in his Ville Platte Studio but was not convinced this version would sell.

He changed his mind when it was reported to him by the owner of a local bordello that the song was No 1 on their Jukebox – a favourite of the working women and customers alike!

Later on as the song got picked up by national distributors and major radio stations three Million record buyers came to agree with the folks back in Ville Platte.

 

 

Emmylou Harris (a firm Jukebox favourite) has always found the sweet heart of any song she chooses to sing.

There’s an ache in her voice that it is even more emotionally affecting now that her hair has turned to silver and her knowledge of the trials of the world has deepened.

Here, live with The Nash Ramblers she sings like the angel always out of sight in your dreams.

The one you hope will return to those dreams again.

The one you could listen to the whole night through.

The whole night through.

 

 

Some dreams don’t need words.

Some yearnings cry out beyond syllables.

Roy Buchanan made his Guitar sound your deepest dreams.

Now some will tell you this is because he played a 53 Fender Telecaster and some will wax lyrical about overtones and pinched harmonics.

Maybe. Maybe.

Yet, there is something in Roy’s playing that’s undreamt of in philosophy or guitar manuals.

When he plays like this the valleys are exalted and the hills and mountains made low.

When he plays like this the hills and mountains are made low.

When he plays like this the rough places are made plain.

When he plays like this the crooked places are made straight.

 

 

I call that a Sweet Dream.

A Sweet Dream.

You can be in my dream if I can be in yours.