Christmas Alphabet 2019 : T for T Bone Burnett, Tommy Dorsey & Dylan Thomas

Sooner or later we all go astray.

Everyone of us needs to be saved.

And, no one alive can survive without tidings of comfort and joy.

Comfort and Joy.

Too easy to default to dismay.

Hark! Hark! Hark!

Trust in the tidings.

Tidings of Comfort and Joy.

I have been an admirer of T Bone Burnett since his days in The Alpha band and his sojourn with Bob Dylan.

The thread connecting all his output as an Artist and Producer is an acute sense of how to establish mood spotlighting the virtues of a song through the adept balance of instrumentation and vocals.

Now for some more vintage Yuletide Jazz.

Tommy Dorsey and his Orchestra cutting quite a rug on Santa Claus Is Comin’ To Town.

Whether you’re on the naughty or the nice list this one will get your Foxtrottin’ feet gliding for the next three minutes or so.

Tommy, of course, on the Trombone.

Vocals by Cliff Weston and Edyth Wright.

Paul Weston provided the fluid arrangement.

Mac Cheikes on Guitar and Sid Stoneburn on Clarinet add the filigree.

Dylan Thomas was never going to make old bones.

When the following recording of ‘A Child’s Christmas in Wales’ was made in 1952 he had less than two years to live.

He never saw his 40th birthday yet he had already, though he spent his gifts profligately, laid down a legacy of immortal incantatory poetry which will always call out to be spoken and sung.

Whatever his excesses he was a true Poet well acquainted with close and holy darkness.

Pull up your most comfortable chair and follow Dylan’s sonorous voice as he leads you spiralling through the years to the heart of a child’s Christmas.

Always on Christmas night there was music.

An uncle played the fiddle, a cousin sang “Cherry Ripe,” and another uncle sang “Drake’s Drum.”

It was very warm in the little house.

Auntie Hannah, who had got on to the parsnip wine, sang a song about Bleeding Hearts and Death, and then another in which she said her heart was like a Bird’s Nest; and then everybody laughed again; and then I went to bed.

Looking through my bedroom window, out into the moonlight and the unending smoke-colored snow, I could see the lights in the windows of all the other houses on our hill and hear the music rising from them up the long, steady falling night. I turned the gas down, I got into bed.

I said some words to the close and holy darkness, and then I slept.           

Next Alphabet Post on the 17th. M for …. Stay tuned!

Christmas Alphabet : S for Bob Seger & Jimmy Smith

Every one of us, poor as we may be, can bring a gift.

The gift of ourselves and the gifts we been given.

Our Hearts

Our Voices.

Our Drums.

Come they told me, pa rum pum pum pum 
A new born King to see, pa rum pum pum pum 
Our finest gifts we bring, pa rum pum pum pum 
To lay before the King, pa rum pum pum pum, 
rum pum pum pum, rum pum pum pum,

So to honor Him, pa rum pum pum pum, 
When we come. 

Little Baby, pa rum pum pum pum 
I am a poor boy too, pa rum pum pum pum 
I have no gift to bring, pa rum pum pum pum 
That’s fit to give the King, pa rum pum pum pum, 
rum pum pum pum, rum pum pum pum, 

Shall I play for you, pa rum pum pum pum, 
On my drum? 

Mary nodded, pa rum pum pum pum 
The ox and lamb kept time, pa rum pum pum pum 
I played my drum for Him, pa rum pum pum pum 
I played my best for Him, pa rum pum pum pum, 
rum pum pum pum, rum pum pum pum, 

Then He smiled at me, pa rum pum pum pum 
Me and my drum

Bob Seger is a tough hombre who understands that tough hombres sometimes need to admit that they are not so tough (even if they are from Detroit!).

You can rely on road warrior Bob to always play his best.

A gift indeed.

Pa rum pum pum pum,
rum pum pum pum, rum pum pum pum.

Now let’s hit a righteous Christmas groove with Jazz Maestros Jimmy Smith and Wes Montgomery.

When it comes to Organ and Guitar workouts you just can’t beat these two!

Even if it is up to your knees out there Jimmy and Wes will keep you mighty warm.

For our Poem today I turn to Jukebox Favourite Sigerson Clifford (1913 – 1985) whose ‘The Boys of Barr na Sráide’ previously featured here in the Posts for St Patrick series.

His ‘Kerry Carol’ has the stillness of the sleeping world and the hushed anticipation that precedes a great event.

And, sometimes, great events take place in the most humble of circumstances and are witnessed and understood best by the humble of heart.

Brush the floor and clean the hearth,
And set the fire to keep,
For they might visit us tonight
When all the world’s asleep.

Don’t blow the tall white candle out
But leave it burning bright,
So that they’ll know they’re welcome here
This holy Christmas night.

Leave out the bread and meat for them,
And sweet milk for the Child,
And they will bless the fire, that baked
And, too, the hands that toiled.

For Joseph will be travel-tired,
And Mary pale and wan,
And they can sleep a little while
Before they journey on.

They will be weary of the roads,
And rest will comfort them,
For it must be many a lonely mile
From here to Bethlehem.

O long the road they have to go,
The bad mile with the good,
Till the journey ends on Calvary
Beneath a cross of wood.

Leave the door upon the latch,
And set the fire to keep,
And pray they’ll rest with us tonight
When all the world’s asleep.

This Christmas Eve leave your candle burning bright.

Burning bright.

Next Alphabet Post on the 15th. T for …. Don’t you dare miss it!

Christmas Alphabet : R for Bonnie Raitt, Ramsey Lewis & Rilke

The Christmas Dinner has been cleared away.

Shoes kicked off.

Cigar lit.

A very generous measure of hot buttered Rum poured.

Now, you need a smoother than smooth sound to maintain the mood.

Nothing better than Bonnie Raitt with Rhythm & Blues legend Charles Brown with a sultry duet version of, ‘Merry Christmas Baby’.

Now, don’t you feel all lit up like a Christmas Tree!

Kick back and pour yourself another (Eggnog anyone?)

Listen now to the Ramsey Lewis Trio’s perfect yuletide groove, ‘Christmas Blues’ beamed to you all the way from 1961.

 

Rainer Maria Rilke (1875-1926) wrote ravishing visionary poems which settle in the heart.

His Poem, ‘Advent’ will stay with you.

Recitation by Julia Koschitz.

Production and arrangement by Schönherz & Fleer.

Es treibt der Wind im Winterwalde
die Flockenherde wie ein Hirt
und manche Tanne ahnt, wie balde
sie fromm und lichterheilig wird,
und lauscht hinaus. Den weißen Wegen
streckt sie die Zweige hin, bereit
und wehrt dem Wind und wächst entgegen
der einen Nacht der Herrlichkeit.

There in the wintry forest the wind blows
a flock of snowflakes like a shepherd,
and many a fir-tree guesses how soon
it will be pious with holy lights,
and listens. Towards the white path
it stretches out its branches, ready,
and braving the wind and growing toward
that one Night of Glory.

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Set your Calendar now for December 11th and the next Post in the Christmas Alphabet, I for …

Christmas Alphabet : H for Merle Haggard, Coleman Hawkins & Thomas Hardy

There’s no denying that when times are hard (and someone near you right now is having those hard times) Christmas can be a season of worry rather than wonder.

Sometimes you pray that somehow you will make it through December.

When things aren’t going well the prospect of Christmas can make you shiver more than the coldest Winter winds.

When you’ve got a family to support you’ve somehow got to hang on until the warmer winds appear.

You’ve got to make it through December.

Make it through.

Trust Merle Haggard, the working stiff’s balladeer, to tell it straight.

Let’s change the mood with some more Vintage Jazz.

Don Redman leads an All Star band featuring the imperious Tenor Saxophone of Coleman Hawkins.

I think we can safely say that now we have found those warmer winds!

Throw another log on the fire!

Trumpets : Joe Wilder, Charlie Shavers and Al Mattaliano
Trombones : Sonny Russo, Jimmy Cleveland and Bobby Byrne
Saxophones : Don Redman George Dorsey, Milt Yaner, Al Cohn, Seldon Powell and Coleman Hawkins.
Piano : Hank Jones, Guitar : George Barnes, Bass : Al Hall Drums : Osie Johnson

New York, July 1957

Thomas Hardy as Poet and Novelist proved himself to be a fearless, wintery, anatomist of the human heart.

So, his Poem, ‘The Oxen’ has for me a special poignancy in the heart wrenching desire to believe that there yet may be miracles in the gloom.

Christmas Eve, and twelve of the clock.
“Now they are all on their knees,”
An elder said as we sat in a flock
By the embers in hearthside ease.
*
We pictured the meek mild creatures where
They dwelt in their strawy pen,
Nor did it occur to one of us there
To doubt they were kneeling then.
*
So fair a fancy few would weave
In these years! Yet, I feel,
If someone said on Christmas Eve,
“Come; see the oxen kneel,
*
“In the lonely barton by yonder coomb
Our childhood used to know,”
I should go with him in the gloom,
Hoping it might be so.
*

Here’s a gorgeous setting by Jonathan Rathbone sung by The Swingle Singers from their 1994 CD, ‘The Story of Christmas’.

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Set your Calendar now for December 9th and the next Christmas Alphabet Post R for …

 

Christmas Alphabet : C for Mary Chapin Carpenter, Benny Carter & John Clare

So this is Christmas.

Another year almost over.

A new one about to begin.

A chance to look back at all that you have done and the things you didn’t quite get round to doing.

A chance to look forward and plan for a brighter future.

I hope you and yours have fun.

Take the time to cherish the near and the dear ones and remember those far away in time and space.

Indulge the young and the old.

Be kind to yourself.

Merry Christmas!

The Immortal Jukebox once again celebrates the season with a Christmas Alphabet stuffed with musical and poetic delights.

Let’s begin with a tender meditation from Mary Chapin Carpenter.

‘Still, still, still’ is an Austrian Weihnachtslied a Christmas Carol and a lullaby.

The melody is a mid 19th Century folk tune from Salzburg.

The German Lyric has been attributed to Georg Gotsch.

Mary’s vocal and the arrangement beautifully capture the feeling of vigil, stillness and mystery as the drifting snow wraps us in peaceful sleep while the angels keep their watch.

Sleep, sleep, sleep.

Dream, dream, dream.

Still, still, still.

Still, still, still.

Still, still, still
One can hear the falling snow
For all is hushed
The world is sleeping
Holy Star its vigil keeping
Still, still, still
One can hear the falling snow

Sleep, sleep, sleep
‘Tis the eve of our Saviour’s birth
The night is peaceful all around you
Close your eyes
Let sleep surround you
Sleep, sleep, sleep
‘Tis the eve of our Saviour’s birth

Dream, dream, dream
Of the joyous day to come
While guardian angels without number
Watch you as you sweetly slumber
Dream, dream, dream

Of the joyous day to come

Our next selection features a giant of Jazz, Benny Carter, who effortlessly combined wit and elegance in his arrangements and Instrumental virtuosity.

Here he is from 1936 leading his Swinging Quintet with my all time favourite version of ‘Jingle Bells’.

Hop aboard the Sleigh!

Jingle Bells was recorded in London in 1936 with Benny on Clarinet and Alto Sax, Scotland’s Tommy McQuater was on Trumpet,  England’s Gerry Moore on Piano, Albert Harris on Guitar, Wally Morris on Bass and Al Graig on Drums.

Now a Poem from the great English Poet John Clare (1793-1864).

I discovered John Clare in my late teens and have been a fervent admirer of his work ever since.

His Poem, ‘Christmas Time’ is characteristically generous of heart and acutely observed.

Glad Christmas comes, and every hearth
Makes room to give him welcome now,
E’en want will dry its tears in mirth,
And crown him with a holly bough;
Though tramping ‘neath a winter sky,
O’er snowy paths and rimy stiles,
The housewife sets her spinning by
To bid him welcome with her smiles.

Each house is swept the day before,
 And windows stuck with evergreens,
The snow is besom’d from the door,
And comfort the crowns the cottage scenes.
Gilt holly, with its thorny pricks,
 And yew and box, with berries small,
These deck the unused candlesticks,
 And pictures hanging by the wall.

Neighbors resume their annual cheer,
 Wishing, with smiles and spirits high,
Glad Christmas and a happy year
 To every morning passer-by;
Milkmaids their Christmas journeys go,
 Accompanied with favour’d swain;
And children pace the crumpling snow,
 To taste their granny’s cake again.

The shepherd, now no more afraid,
Since custom doth the chance bestow,
Starts up to kiss the giggling maid
 Beneath the branch of mistletoe
That ‘neath each cottage beam is seen,
 With pearl-like berries shining gay;
The shadow still of what hath been,
 Which fashion yearly fades away.

The singing waits — a merry throng,
 At early morn, with simple skill,
Yet imitate the angel’s song
 And chaunt their Christmas ditty still;
And, ‘mid the storm that dies and swells
 By fits, in hummings softly steals
The music of the village bells,
 Ringing around their merry peals.

When this is past, a merry crew,
 Bedecked in masks and ribbons gay,
The Morris Dance, their sports renew,
 And act their winter evening play.
The clown turned king, for penny praise,
 Storms with the actor’s strut and swell,
And harlequin, a laugh to raise,
Wears his hunch-back and tinkling bell.

And oft for pence and spicy ale,
With winter nosegays pinned before,
The wassail-singer tells her tale,
 And drawls her Christmas carols o’er.
While ‘prentice boy, with ruddy face,
 And rime-bepowdered dancing locks,
From door to door, with happy face,
Runs round to claim his “Christmas-box.”

The block upon the fire is put,
To sanction custom’s old desires,
And many a fagot’s bands are cut
For the old farmer’s Christmas fires;
Where loud-tongued gladness joins the throng,
And Winter meets the warmth of May,
Till, feeling soon the heat too strong,
 He rubs his shins and draws away.

While snows the window-panes bedim,
 The fire curls up a sunny charm,
Where, creaming o’er the pitcher’s rim,
 The flowering ale is set to warm.
Mirth full of joy as summer bees
Sits there its pleasures to impart,
And children, ‘tween their parents’ knees,
 Sing scraps of carols off by heart.

And some, to view the winter weathers,
Climb up the window seat with glee,
Likening the snow to falling feathers,
 In fancy’s infant ecstacy;
Laughing, with superstitious love,
O’er visions wild that youth supplies,
Of people pulling geese above,
And keeping Christmas in the skies.

As though the homestead trees were drest,
In lieu of snow, with dancing leaves,
As though the sun-dried martin’s nest,
Instead of ic’cles hung the eves;
The children hail the happy day —
As if the snow were April’s grass,
And pleased, as ‘neath the warmth of May,
Sport o’er the water froze to glass.

Thou day of happy sound and mirth,
That long with childish memory stays,
How blest around the cottage hearth,
I met thee in my younger days,
Harping, with rapture’s dreaming joys,
 On presents which thy coming found,
The welcome sight of little toys,
 The Christmas gift of cousins round.

About the glowing hearth at night,
The harmless laugh and winter tale
Go round; while parting friends delight
To toast each other o’er their ale.
The cotter oft with quiet zeal
Will, musing, o’er his bible lean;
While, in the dark the lovers steal,
To kiss and toy behind the screen.

Old customs! Oh! I love the sound,
 However simple they may be;
Whate’er with time hath sanction found,
 Is welcome, and is dear to me,
Pride grows above simplicity,
And spurns them from her haughty mind;
And soon the poet’s song will be
The only refuge they can find.

Don’t hesitate to share The Christmas Alphabet as widely as possible – spread the Christmas Cheer!

Notes :

‘Still, still, still’ can be found on Mary Chapin Carpenter’s highly recommended CD, ‘Come Darkness, Come Light’.

My favourite Benny Carter compilation is a 4 CD set from Proper, ‘Music Master’.

‘John Clare : The Major Works’ from Oxford University Press is an excellent compendium of both his Poetry and his autobiographical writings.

‘John Clare : A Biography’ by Jonathan Bate from Picador is a superb critical study fully worthy of its subject.

Set Your Calendar now for December 7th and the next Christmas Alphabet Post – H for ….

Van Morrison & Mark Knopfler : Last Laugh (Happy Birthday Van!)

You’ve either got it or you haven’t.

Presence.

Some things you just can’t buy.

Presence.

Coaches and Gurus and Snake Oil salesmen will portentously promise to reveal the secret to you.

Better save your money and your time and learn the things that can be taught – vocal exercises, relaxation, the whole assembly of skills that adds up to Technique.

But Presence?

No way.

You’ve either got it or you haven’t.

The gods or muses dispose as they will.

Hard to define but easy to recognise.

Greta Garbo.

Marlon Brando.

Rudolph Nureyev.

Maria Callas.

Miles Davis.

Muhammad Ali.

Van Morrison.

Intensity.

Impact.

Cultural, emotional and spiritual impact.

You’ll recognise it when you confront it.

Mark Knopfler is a gifted songwriter and as a guitar player has undoubted Presence.

He is also canny enough to know that some songs require an extra ingredient that he does not possess.

A voice with Presence.

So, for his Song, ‘The Last Laugh’ he called up Van Morrison.

There must have been a moment in the studio as they listened back when Mark exhaled and smiled deeply as the sound of Van’s voice at the beginning of the second verse lifted the work to a wholly new level.

Presence.

Emotional and Spiritual impact.

Van Morrison.

Sing it Van!

Games you thought you’d learned
You neither lost nor won
Dreams have crashed and burned
But you’re still going on
Out on the highway with the road gang working
Up on the mountain with the cold wind blowing
Out on the highway with the road gang working
But the last laugh, baby is yours
And don’t you love the sound
Of the last laugh going down

Very few singers merit the Bold and the Italics.

Van Morrison always has and always will.

Don’t you love the Sound!

Presence.

Cultural, Emotional and Spiritual Impact.

Demonstrated time after time in studios and on stages from Belfast to Buffalo.

Hey Girl! Baby Blue. Brown Eyed Girl. Sweet Thing. Moondance..

Linden Arden.

Listen to The Lion.

The Healing has begun.

No Guru. No Method. No Teacher.

Just Van and that Voice.

It ain’t why, why, why, it just IS.

A voice capable of transcendence as only the rarest voices are.

A voice that reaches up to the Moon.

Don’t you love the Sound!

Van is 74 this week.

So, Happy Birthday Van!

A heartfelt thanks for all the Songs and all the Singing.

 

May your Song always be Sung.

if this is your visit to The Immortal Jukebox you are very welcome!

Sign up for email alerts or follow me on Twitter @thomhickey55 and you’ll never miss a post!

There are more Posts about Van than any other artist here on The Jukebox so, in case you missed one or would like to be reminded of an old favourite here’s the Van Compendium for your delectation and delight!

Brown Eyed Girl’.

An introduction telling the tale of my headlong plunge into obsession following my first hearing of Van’s best known song.

http://wp.me/p4pE0N-2L

Don’t Look Back’.

A meditation on Time featuring 2 astounding versions of John Lee Hooker’s tender Blues Ballad. One a reaching for the stars take of a teenager the second the work of a fully realised master musician.

http://wp.me/p4pE0N-3k

Carrickfergus‘.

A meditation on family, friendship and loss. How the shadows lengthen! Sung with infinite tenderness and bardic authority.

http://wp.me/p4pE0N-7J

In The Days Before Rock ‘n’ Roll’.

A miraculous meditation on the persistence of memory, the power of the radio and the post war world as seen by a young Irish mystic.

http://wp.me/p4pE0N-bi

Tupelo Honey’.

A rhapsodic meditation on the nurturing, redemptive power of Love. A Hallelujah!

http://wp.me/p4pE0N-fr

All in the Game‘.

A meditation on the carousel we all ride. It’s been sung by many singers but never like this!

http://wp.me/p4pE0N-jY

Domino’ .

A Founding Father joyously celebrated by a Master from the next generation.

http://wp.me/p4pE0N-pH

Sometimes We Cry‘.

Bringing it all back home to singing on the street corner Days. The sweetness of Doo-Wop seasoned with wry maturity.

http://wp.me/p4pE0N-sf

I Cover the Waterfront’.

Van and John Lee Hooker, Blues Brothers and Soul Friends, conjure up ancient tides.

http://wp.me/p4pE0N-tq

Buona Sera Signorina‘.

Van puts his party hat on and romps through the Louis Prima classic.

http://wp.me/p4pE0N-Xg

Hey Girl’.

Van takes a stroll along the strand and suspends Time.

http://wp.me/p4pE0N-1cA

Gloria! Gloria!’

Once, Now and Ever.

http://wp.me/p4pE0N-1dh

Coney Island 

A Pilgrim’s glimpses of Eternity in the everyday.

https://wp.me/p4pE0N-1OQ

Brand New Day

Born again each Day with The Dawn.

https://wp.me/p4pE0N-1kL

And It Stoned Me

A mystic dweller on the threshold shows us the wonder ever present everywhere.

Happy Birthday Van!

Manu Chao, Mongo Santamaria & Bongo Joe : Bongo! Bongo! Bongo!

A Bongo Bonanza featuring :

Preston Epps, Manu Chao, Mongo Santamaria, Jack Constanzo & Bongo Joe with a bonus of a Disney bear who’s not Ballou and 2 Nobel Prize Winners (and a tip of the hat to a third for my really savvy readers).

Sometimes you just feel unsettled.

Windows shakin’ all night in your dreams.

You can feel like you are a prisoner in a world of mystery.

No one can push that ticking clock back.

You start from here.

Maybe time to take a walk and clear the cobwebs from your head.

Far from the Towns in the rolling South Downs.

The hounds are out for their morning exercise.

The air’s so fresh you feel your heart expand.

Twang of the arrow and the snap of the bow.

What’s the thing that will snap you out of lethargy?

Maybe a trip to Tibet?

Maybe a full-length leather coat?

Or, Or, maybe those tunes rattlin’ the windows these last few nights weren’t dark forces tryin’ to get in but drums, Bongos indeed!

Bongos telling you to get up and dance.

Dance, dance, dance!

Bongo! Bongo! Bongo!

Now you think of it there’s a particular tune that always starts the windows shakin’.

What was the guy’s name?

Sharp dressed dude with a hat.

Image result for preston epps images

Preston Epps – how could I forget a name like that!

And, how could I ever forget, ‘Bongo Rock’!

Take it away Preston.

Bongo! Bongo! Bongo!

That’ll flat get it!

Preston, who died in May this year, appeared on many fine records as a side man but his immortality as a musician was guaranteed once he recorded Bongo Rock in 1959.

Some things you can get tired of but Bongo Rock – Never!

OK, as Ballou the Bear from The Jungle Book would say :

‘I’m gone man, solid gone!’

So, we are going to keep those Bongos going.

Bongo! Bongo! Bongo!

Now your mama might not have been queen of the mambo and your papa may not have been monarch of the Congo but as soon as Manu Chao hits his stride here you and your monkey will most assuredly know that you are the King of Bongo, baby!

The King of Bongo.

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*

Bongo, Bongo! Bongo!

Manu Chao.

He gets Rhythm.

He gets the Bongos.

And, his style crosses all linguistic and stylistic boundaries.

Don’t matter where you come from or where you’re goin’ everybody is partial to the Bongos.

C’mon let’s all bang on the Bongos.

Let’s go crazy bangin’ on the Bongos.

And, who better to blast us straight into outer and inner space than supreme Bongo master – Mongo Santamaria.

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Bongo! Bongo! Bongo!

Jazz classic Afro Blue given a magisterial reading on a Bongotastic night at New York’s Village in 1967.

Hubert Laws on Flute, Trumpet and Alto Sax by Ray Maldinado and Bobby Porcelli.

10 minutes of Bongo Heaven which never lets up.

Once Mongo gets his groove we are all gone, solid Gone!

Bongo! Bongo! Bongo!

Our next Bongo King, Jack Costanzo was dubbed, ‘Mr Bongo’ by the esteemed Jazz critic Leonard Feather.

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Jack played with almost everyone in the Who’s Who of 20th century Jazz and Showbiz – from Frank Sinatra to Charlie Parker to The Supremes!

Have Bongos – ready to Party was Jack’s mantra.

Bongo! Bongo! Bongo!

There must be something in those Bongos because Jack almost made it to 99 before he went to play Bongos in the afterlife.

Going to finish up here with Bongo Joe.

Now, strictly speaking he doesn’t play the Bongos per se.

He actually plays the 55 Gallon Oil Drum.

But, I have to say there was no way I was going to write a post titled Bongo! Bongo! Bongo! and leave out my man Bongo Joe.

Joe started out as a ‘regular’ musician even playing piano for Sammy Davis Jr but he found his true calling when he found the sounds he could conjure from 55 gallon Oil Drums.

His birth name was George Coleman but he became and will always be remembered as Bongo Joe.

Image result for bongo joe images

As Bongo Joe he became a legendary figure on the streets of Galveston and San Antonio over three decades.

In 1968 the ever perspicacious Chris Strachwitz at Arhoolie Records captured Joe in scorching form on his only recording, ‘George Coleman : Bongo Joe’.

Just before I moved down to the South Downs nearly three years ago I gave almost all my Vinyl to Oxfam but I kept my copy of Bongo Joe – some things are too precious to give away!

Now tell me that didn’t dispel any residual cobwebs!

Dig that whistling!

Ain’t nothin’ like the Bongos to cheer a body up.

I am just about to apply for a new Passport.

I was going to put ‘Writer’ for my Occupation but maybe in some countries that may not grant you so warm a welcome.

So, I am now resolved to write, ‘Bongocero’.

Everybody, everywhere, when you get right down to it loves the Bongos.

Bongo! Bongo! Bongo!

Bongo! Bongo! Bongo!

Bongo! Bongo! Bongo!

More Bongo Lore :

My favourite Disney character is Bongo the Bear from the excellent, ‘Fun and Fancy Free’ from 1947.

I never tire of Dinah Shore telling the story of how escaped circus bear Bongo wins the heart of Lulubelle and defeats the dangerous wild bear Lockjaw.

The story comes from Sinclair Lewis ‘book, ‘Little Bear Bongo’.

Image result for bongo the bear

Sinclair Lewis was a Nobel Prize winner as was a very enthusiastic Bongo Player – Maverick Physicist Richard Fenyman.

Image result for richard feynman playing bongos images

Maybe getting his Bongo groove on agitated the grey cells and released those genius insights!

In 1959 then teen heartthrob Cliff Richard appeared as a character called Bongo Herbert in a, ‘Satire’ called, ‘Expresso Bongo’.

I was never a fan of Cliff’s and when I see him on TV I usually mutter  – oh look there’s Bongo Herbert!

Look out for Bongo Blues on the soundtrack performed by Hank Marvin and The Shadows.

Expresso Bongo FilmPoster.jpeg

Bongoland in Tanzania means a place where people have to be smart and savvy to get ahead.

There are two fine films called Bongoland and Bongo is apparently a generic term for the Tanzanian film industry.

Image result for bongoland film poster

A favourite childhood memory of mine is watching Magicians on TV.

My particular favourite was Ali Bongo who was something of a magician’s magician twice being granted the accolade of the presidency of The Magic Circle.

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Bongo! Bongo! Bongo!