Her utter technical command and her ability to unerringly find emotional truth resulted in a legendary career garlanded with landmark recordings and never to be forgotten stage performances.
Her performance of, ‘Che faro senza Euridice’ will live with me always as I make my journey through the dark wood.
Spirit refreshing music courtesy of Bach one of the supreme artists.
His works will enter your consciousness like a pebble dropped into a pond with ever widening circles of effect.
Julian Bream is another musician with, ‘The Touch’.
Music played by Bream flows purely and naturally from his fingers to our hearts.
Devotees of Chopin and his piano works, especially The Nocturnes, can spend long hours debating which great pianist has searched their depths most successfully.
I have never wavered in my conviction that the magical recordings made by Claudio Arrau must wear the crown.
His version of The Nocturnes has the quality of meditative prayer.
Herbert Howells music has an English reticence which belies the oceanic depths of feeling it can summon from the listener.
His, ‘A Spotless Rose’ especially when sung with the aching purity of The New College Oxford Choir tenderly ushers the cosmic into our mortal consciousness.
For music to take you away from the daily tumult I offer you a precious work of the heart.
‘A Stor mo Chroi’ as performed by The Voice Squad (Phil Callery, Fran McPhail and Gerry Cullen) insists that we each attend to what is truly important in all our lives; the love we offer and the love we share.
Where else is your treasure to be found?
Jukebox Jive
This is the last Post of 2017.
Many thanks to all my readers and followers and especially those who take the time to comment.
I was touched by so many good wishes at Christmas and for New Year and such kind words about The Jukebox.
When I started The Jukebox I little thought I would find so many kindred spirits!
A Painting by El Greco (Domenikos Theotokopoulos 1541 to 1614)
A Poem by Patrick Kavanagh (1904 to 1967)
Music by John Dowland (1563 to 1626) played by Julian Bream, The Chieftains with Nanci Griffith and The Trinity Lavra Choir
Our painting today, ‘The Adoration of the Shepherds’ is a work of blazing, visionary brilliance by El Greco who had the artistic bravery characteristic of genius in all ages.
El Greco depicted the human body and used colour and perspective in a manner that was wholly individual.
The awe inspiring intensity of his vision breaks down any conventional, ‘tutored’ response.
To my mind his art is a true veil shredding glimpse into a co-existing reality : present then and present now.
This painting, more than any other I know, captures the enormity of the event which took place some two thousand years ago.
It is a peerless hymn of exultation and adoration.
Today’s spirit refreshing music comes courtesy of John Dowland who can genuinely be described as a Renaissance Man in view of the time he lived in and the depth of his talents as a composer, Lutenist and singer.
His works will enter your consciousness like a pebble dropped into a pond with ever widening circles of effect.
Julian Bream is another musician with, ‘The Touch’.
Music played by Bream flows purely and naturally from his fingers to our hearts.
Further music comes from two countries: Russia and Ireland which share a reverence for poets and prophets, visionaries, bards and shamans.
Both have produced more than their fair share of saints, scholars and wayward genuises.
In both lands a sense of the numinous pervades the air and prayers ascend unceasingly heavenward – even in the increasingly secular modern age.
Of course, both countries are filled with a hundred times the number of would be writers to actual page blackening writers and both have to deal with the drunken consequences of frustrated spirituality encountering the demon drink.
Still, veil-piercing poetry and song are central to the cultural life and achievements of Ireland and Russia.
Both peoples love to carouse until they are stupefied yet both are capable of being stilled to silence and tears by a simple lyric or an exquisite slow air.
Let’s listen now to the exquisite, ‘Wexford Carol’ performed by the veritable custodians of Ireland’s traditional music, The Chieftains (here accompanied by a Texas rose, Nanci Griffith).
The Wexford Carol may well date back to the twelfth century though it’s widespread popularity is due to the work of William Gratton Flood, who was musical director of Enniscorthy Cathedral in the late 19th century.
The Chieftains play with an authority born of thousands of hours of perfecting their craft as traditional musicians – always respectful of the source material while being alert to each other’s role in bringing a tune to shimmering life.
The Chieftains, led by Piper Paddy Moloney, who has proved to be a natural born networker, have recorded many inspired collaborations with leading artists in many musical genres (though their greatest collaboration is probably with an artist from their own island – Van Morrison).
Here, Nanci Griffith sings the carol with a beguiling gravity befitting the immensity of the events portrayed. Listening I feel as I were marching in a torchlit devotional procession with the same moon that shone over Bethlehem above the sentinel trees of the forest around me.
Next, from a powerhouse of Otthodox Russian monasticism, ‘The Song Of The Magi’. The choir is from the Trinity Lavra (monastery/hermitage) of St Sergius in Sergiyev Posad some 50 miles from Moscow.
This has to be the sound of the breath of the Russian soul. Russian Othodox services provide doorways to contemplate the divine – an opportunity in stillness to be lifted into a different realm of being.
Giving ourselves over to such an experience can be profoundly uplifting and over time transformative.
Russian spirituality opens itself to mystery and awe accepting that grace cannot be willed but only gratefully accepted.
The Magi travelled long miles in search of a new kind of King and gave their gifts to a babe in a manger. Perhaps, listening to this work we could learn to give the gift of an attentive soul.
The poem today, ‘A Christmas Childhood’ is provided by one of the great figures of 20th Century Irish Literature, the sage of Iniskeen, Patrick Kavanagh.
‘Cassioepeia was over Cassidy’s hanging hill, I looked and three whin bushes rode across The horizon – the Three Wise Kings.
An old man passing said: ‘Can’t he make it talk – The melodian’. I hid in the doorway And tightened the belt of my box-pleated coat.
I nicked six nicks on the door-post With my penknife’s big blade – There was a little one for cutting tobacco. And I was six Christmases of age.
My father played the melodeon, My mother milked the cows, And I had a prayer like a white rose pinned On the Virgin Mary’s blouse’.
This post dedicated to the deceased members of The Chieftains:
Fiddler Martin Fay, Tin Whistle and Bodhran player Sean Potts and the mystical doyen of the Irish Harp, Derek Bell.
The Immortal Jukebox 