Full many a year did I labour in the stony fields of Epistemology.
I’ve got the deep furrowed brows to prove it.
Knowledge that …
Knowledge how …
Savoir … Connaitre
Kennen … Weten.
Do you Ken?
Either you don’t know nothing or you know too much – it don’t seem there’s anything in between (hats off to Russell and Riddley).
What do I know?
Well, I know that if you have a song written by Don CovayEmbed from Getty Images
With Guitar by Jimi HendrixEmbed from Getty Images
With Organ by Billy PrestonEmbed from Getty Images
And if you have the one and only Little Richard singing like a sanctified revival preacherEmbed from Getty Images
Then, Brothers and Sisters, I do Know, I most assuredly Know that the resulting record is one of the greatest Singles ever made!
That’s what I Know.
Listen and you’ll Know too.
And, when you Know, as we all Know – You just Know.
recorded ‘I Don’t Know …’ in Los Angeles in 1965.
He had, of course, already given nuclear energy to the launch of Rock ‘n’ Roll in the mid ‘50s.
Here he draws upon his Gospel and R&B roots with all those hours listening to Brother Joe May, Sister Rosetta Tharpe and Billy Wright informing the volcanic steam heat of his performance.
Perhaps only James Carr singing, ‘Dark End Of The Street’ matches Richard on this record for soul searing intensity.
Don Covay :
was gifted as singer, songwriter and producer. He had a particular mastery of the Soul Ballad.
His Father was a Baptist Preacher and his first forays into public performance was with his family Gospel Quartet, The Cherry Keys.
Classics he wrote include:
‘Mercy, Mercy’ (covered by The Rolling Stones),
‘Chain Of Fools’ and ‘See Saw’ for Aretha Franklin,
‘That’s How I Feel’ for The Soul Clan
’Pony Time’ (a No 1 for Chubby Checker)
’Letter Full Of Tears’ for Gladys Knight
’Its Better to Have and Don’t Need (Than Need and Don’t Have) is a magnificent song he put out under his own name.
The version he cut of ‘Mercy, Mercy’ with The Goodtimers In 1964 featured Jimi Hendrix.
At one time Don gloried in the role of Valet and Driver for Little Richard.
Jimi Hendrix :
Appeared like a meteor into the consciousness of the Rock world yet he had served his time on the ‘Chitlin’ Circuit’ backing up a host of R&B and Soul acts.
His hook up with Little Richard was short lived – in part no doubt because Richard was not a man to be upstaged by a flamboyantly brilliant guitar player able to play solos with his teeth!
Billy Preston :
Billy had been a part of Little Richard’s constellation since the early 60s when he was still a teenager. In Hamburg The Beatles looked on in awe as Richard tore up the joint with his crazed vocals while Billy hit grooves that seemed to affect gravity itself.
At the end of their career together it seemed there was little they could all agree on – except that Billy Preston trailed Joy all around him and that he was a hell of a musician.
They are so different from one another yet I find that they have a similar charisma.
LikeLiked by 1 person
Very flamboyant artists. Thanks for the spotlight and contrast!
LikeLiked by 1 person
Yes .. very high powered characters!