Ry Cooder, Elton John, Solomon Burke & Jim Reeves: ‘He’ll Have To Go’

Christmas Cracker 6

Oceans and oceans of emotion have flowed through the telephone wires buzzing above your head. Think of all the announcements.

I’ve passed my exams!

I’ll be home for Christmas!

We are going to get married!

It’s a Girl!

We did all we could but I’m sorry to tell you that …..

There was a time, centuries and centuries, when announcements like that came by letter or were delivered face to face. The invention of the telephone allowed direct personal communication at great distance bringing the disembodied voice right into your ear and mind.

And, humans being human the telephone has been used for every virtuous and nefarious purpose imaginable.

Right now someone is planning to call you with the aim of draining your bank account.

Right now someone is patiently listening to a tortured soul who thinks life isn’t worth living anymore and assuring them that there is at least one person who will answer when they call again.

Right now some poor sap is reeling as he learns that the party’s over; that love can lie, that the love still burning so bright for him is naught but cold, cold ashes for her. And, you know what? He still won’t believe it!

Slumped on his bar stool with the jukebox blaring he tries to clear the fog in his head to summon up all his persuasive powers for one last, ‘Don’t Go!’ plea.

Surely, if he can only find the right words, he can reignite those hot flames and they will be together again:

‘Put your sweet lips a little closer to the phone
Let’s pretend that we’re together all alone
I’ll tell the man to turn the Jukebox way down low
And you can tell your friend there with you he’ll have to go’

Ah, Jim Reeves, Gentleman Jim, the Prince, the peerless Potentate of three in the morning melancholia! I’ve spent many a night drinking deep with that velvet voice.

Many a night his oracular tones have echoed and reechoed in my mind and heart as I battled to accept the unacceptable, searching to find reasons, answers, and eventually a way out.

Mostly Jim taught me that there was no easy way out – some things can’t be worked round. No, they have to be got through, endured.

And if you need a companion on your exhausting, perilous progress back to sanity and some vestige of normality you won’t find one better than Jim Reeves.

You wont be surprised at Jim’s popularity in the Americas and in Europe. But, you might be a little taken aback to learn of his immense popularity in Jamaica and that in India and Sri Lanka he is enormously admired and revered by many as a, ‘Gandharva’ an earth born singer in tune with the heavens.

Jim’s, ‘I’m speaking directly to you, just you, in all your pain’ confiding vocals cut through barriers of race and culture.

No one is immune from Jim crooning, ‘Should I hang up or will you tell him he’ll have to go’ or, ‘Do you want me answer yes or no’.

And, tell me you don’t how the terrible cost of choking out the words, ‘Darling I will understand’.

Jim took Jim and Audrey Allison’s song which had done nothing in its first recording by Billy Brown and gave it a magic that endures. A magic that has won millions of listeners (14 weeks a country No 1 in 1960) and inspired hundreds of singers to seek out that magic too.

Jim Reeves life was cut short by a plane crash in 1964 but there can be doubt that as long as hearts get broken and people seek solace in music that Jim’s voice will live on.

Any Jukebox that I’ve got anything to do with will always have a copy of Jim Reeves ‘He’ll Have To Go’ ready to play for the lost and the lonely when they need it.

So, as sole proprietor of The Immortal Jukebox I’m announcing that, ‘He’ll Have To Go’ has been awarded the position of A13 on The Immortal Jukebox.

As its the season of goodwill and a time for generosity I’m donning my Santa Claus suit and bringing you several other versions of the song for you to digest with your drink of choice.

First up a rapturous, let’s turn the lights down and sway together in the cantina live version by Jukebox favourite, Ry Cooder, accompanied by Flaco Jimenez, the king of Conjunto, Norteno and Tejana accordion.

I think you’ll want a premium Tequila here.

‘He’ll Have To Go’ is always thought of a Country Pop song. However as the regal Solomon Burke definitively demonstrates below it works every bit as well as Country Soul.

Solomon has power in reserve as he cruises through his version suggesting depths of emotion by subtle shifts in tempo, accent and volume.

Solomon never lets you down.

I think a fine Tennessee sippin’ Whiskey will do the job here.

To conclude a version by one of the great rock/pop stars of the modern era, Elton John. At heart Elton has always been a huge music fan – someone who genuinely loves songs and singers.

As he says here he started out as the unregarded boy in the corner of the pub playing the piano. Since then, of course, he’s written more than a few songs himself that we all know by heart.

That’s how you become a huge star selling tens of millions of records. In addition he has been a relentlessly hard working performer and you can hear the fruits of all those hours on stage in this solo performance from 1992.

You’ll have to uncork the Champagne for this one.

Finally perhaps we should all close our eyes and sing our own a cappella version – remembering the time we all wished we could have said:

‘Put your sweet lips a little closer to the phone
Let’s pretend that we’re together all alone
I’ll tell the man to turn the Jukebox way down low
And you can tell your friend there with you he’ll have to go’

This post dedicated to George who’ll be listening in his rural retreat – no doubt with a fine bottle at hand.

Notes:

I listened to a lot of versions of, ‘He’ll Have To Go’ preparing this post. A lot.

One I would definitely have included if Youtube would have cooperated was that by Glasgow’s great son, Frankie Miller (please look it up).

Frankie’s version is deeply heartfelt. In his 70s and 80s pomp Frankie could out write and out sing almost any singer you can think of.

Peers like Rod Stewart and Alan Toussaint recognised his special qulaities. Principally his ability to wring every blood drop of emotion from a song while carrying his audience with him through his beautiful rhythmic assurance.

If you do one thing this holiday season seek out Frankie Miller’s CD, ‘Highlife’ and then work your way through his catalogue. You won’t regret it.

I recommend a peaty single malt from Islay as your accompaniment.

Other versions I think you might profitably seek out include those from: Bryan Ferry, Jerry Lee Lewis, Johnny Rivers, UB 40, Brook Benton, Nat King Cole, Billy Joe Royal, Ronnie Milsap, Johnny Cash, Harry Dean Stanton, Jackie Edwards, Elvis Costello and Tom Jones.

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