You may recall that in the recent post about Captain Beefheart I mentioned selecting The Beatles, ‘Sergeant Pepper’ LP from my vinyl shelves.
That storied record is famous not only for its treasury of superb songs but also for its endlessly intriguing cover which features a gallery of contemporary and historical cultural icons.
The Beatles, typically eclectic, choices included Carl Jung, Oliver Hardy, Sonny Liston, Mae West, Lenny Bruce, Karl Marx, Lewis Carroll, Albert Einstein and Albert Stubbins (look him up!)
Surprisingly, only two contemporary American musicians made the hallowed cover.
Inevitably, one was Bob Dylan, who was an enormously influential figure in the development of The Beatles songwriting.
The other American legend they selected, proof of their unending devotion to the primal spirit of Rock ‘n’ Roll, was none other than Dion Francis DiMucci – the King of The Bronx and one of the very greatest artists in the history of the music.Embed from Getty Images
Dion for an astonishing seven decades has shown himself to be a superlative singer with the ability to make songs come thrillingly alive.
Tracing his career you will find magnificent records displaying his empathy and mastery of virtually the entire spectrum of American roots music.
So, with The Belmonts we have the exuberant Doo-Wop of, ‘I Wonder Why’ and the delirious Pop angst of, ‘ A Teenager in Love’.
As a solo act he produced electrifying Rock ‘n’ Roll in, ‘The Wanderer’ and deep insights into the Blues with, ‘Hoochie Coochie Man’ and the scarifying, ‘Daddy Rollin’ (In Your Arms’).
As a singer-songwriter he was capable of a bone chilling confessional threnody like, ‘Your Own Backyard’ and the utterly charming, ‘New York City Song’.
He was quick to spot the distinctive talents of Bob Dylan and Tom Waits as his must hear covers of, ‘It’s All Over Now, Baby Blue’ and, ‘Heart of Saturday Night’ demonstrate in spades.
For insight into life on the gritty New York Streets only Lou Reed comes near Dion’s epic, ‘Midtown American Street Gang’.
You want Gospel balm? Listen up to the exquisite entreaty of Dion’s, ‘Abraham, Martin and John’.
Taken all in all Dion’s catalogue stands as the autobiography of an always questing pilgrim soul and the blazing testament of a true American Master.
And he did all this battling heroin addiction.
Notwithstanding the excellence of all the above tracks when it came to selecting a record to take its place on The Immortal Jukebox I didn’t hesitate for a micro-second.
No, it has to be, has to be, just has to be, ‘Runaround Sue’ a record I love to the point of near insanity.
Take it from Thom – no one has ever sung a Rock ‘n’ Roll song with such enthralling energy and sheer swagger as Dion does here!
Listen, people let me out you wise …
Great Gosh A Mighty!
Dion’s singing here leaves me exultant and breathless with joy filled admiration.
As he sings you are swept along on a magic carpet of delight almost sure there’s no mountain or skyscraper you couldn’t nonchalantly soar over as you follow Dion’s imperious vocal.
Listen, people what I’m telling you.
When it comes to Rock ‘n’ Roll singing Dion ain’t just the King of The Bronx!
No, he’s The Guy. The Guy who knows. The Guy who knows!
Where did all this mastery come from?
Why from Prospect Avenue, Belmont, The Bronx, New York City – that’s where.
As a young boy growing up he was surrounded by a vibrant Italian/American community where the streets were alive with song – operatic arias, Tin Pan Alley crooning.
And from the stoops and the subways groups of young kids with hope in their hearts sending harmonies soaring high into the New York night sky.
As he sat on the fire escape shooting the breeze he was glued to the radio. Through the sacred ether came the transporting, life changing, life defining, sounds of Doo- Wop, Rhythm and Blues, Gospel and Rock ‘n’ Roll.
Unforgettable, emotion charged voices, voices like those of Hank Williams and Sam Cooke seemed to summon his own voice.
So, as a young man, seeking to find his own identity, he found that he had been blessed with a gift. A gift which would win him the admiration of the local bloods and the local belles.
And soon, when that sensational voice was captured on tape, the admiration of the whole wide world!
Dion brings all his heritage and all gifts to Runaround Sue.
There is love and laughter and life in abundance in every syllable that Dion sings.
So, he can invest deep emotion into wordless swoops and delicately evoke the romance of the touch of her hair and the (still felt and much missed) warmth of her lost embrace.
As Dion sings the story is sad but true. Everyone has had their heart broken by someone who ran around.
You don’t want to cry. But you do. You do.
He sings, ‘Runaround Sue’ like a man creating a moral and a story to console himself as he walks home. And as he walks he finds that his downcast grimace turns into a wry smile before becoming a broad grin.
Then he begins to laugh.
Laugh, with love in his heart as he admits to himself just how how much of a fool he has been.
Perhaps the beginning of wisdom is the admission we are all fools.
Fools for Love. Fools for Love.
And long may it remain so.
The superb backing vocals on Runaround Sue are provided by The Del-Satins.
Runaround Sue was co-written by Ernie Maresca.
It was, of course, a multi million selling Number One on the 1961 Billboard Charts.
I have made it a point of honour to own every Record Dion has ever made.
For those of you yet to share my obsession as well as all the tracks referred to above I recommend:
‘The Very Best Of Dion & The Belmonts’ on One Day Music
‘Yo Frankie’ on Arista
‘New Masters’ on Collectables
‘Bronx in Blue’ and ‘Son of Skip James’ on SPV
‘New York Is My Home’ on Blue Horizon
‘Bronx Blues’ and ‘The Road I’m On’ on Columbia.
Dion’s autobiography, ‘The Wanderer’ is a fascinating read.
However, to my mind the most revealing insight into his life can be found on an article he wrote about his return to Catholicism. See Link below
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