This week is School Half-Term in our part of the world. So there will be little time for blogging! Instead, there will be lots of cycling, lots of swimming, trips to see favourite aunts and visits from my extended family.
We are also going to be touring England’s West Country; gazing at the eternally mysterious ancient standing stone circle at Stonehenge, sampling the delights of the grandeur of Bath and idling through charming sleepy small towns and villages.
Following tradition my son Tom will be in charge of in car entertainment. So, lots of Louis Prima, Julie Andrews, Bobby Darin, Ruth Brown and now, top of his charts with a bullet – Meghan Trainor!
While I’m away I’ve cued up on The Immortal Jukebox an artist very dear to my heart – Sam Cooke (about whom I will write much more later!)Embed from Getty Images
Sam was (is – greatness is always current) an artist of immense talent and cultural impact; a musical exemplar, a guiding spirit able to illuminate life’s arc of sorrows, joys and struggles with power, wit and grace.
Sam Cooke resists all easy categorisation. Artists of this stature can’t be neatly filed in genre racks!
When I think about how to describe him I’m drawn to a term taken from the greatest of all cycling races – Le Tour de France. Anyone hoping to complete the race, let alone win it, has to be able to complete a series of lung wracking, muscle burning, mountain ascents seemingly designed to test the absolute limits of human endurance. Mountain stages receive, ‘Categorie’ ratings exquisitely calibrating the brutality of the challenge presented.
Categories of difficulty are assigned taking into account how far the riders have cycled before they begin to climb and the subsequent length and steepness of the ordeal to the summit. The, ‘easiest’ climbs are rated Categorie 4 and the most arduous Categorie 1. And then, then, there are some climbs, climbs like Alpe d’Huez with it’s terrifying 21 hair pin bends on the route to the summit at over 6000 feet involving gradients up to a near impossible 13% that merit the extraordinary term, ‘Hors Categorie’ – beyond category.
When I contemplate the stature of Sam Cooke I now use the term, ‘Hors Categorie’ as my own shorthand for those rare artists who rule imperiously over their own artistic realm.
When you hear a characteristic performance by Sam Cooke the use of classifications like, ‘Soul’, ‘Gospel’, ‘Rhythm and Blues’, ‘Jazz’ and, ‘Pop’ becomes insignificant.
Sam was a musical explorer; never intimidated by any map that might proscribe the limits of the world he might journey to and claim for himself and his audience. Artists of this stamp have the wherewithal and ambition to redraw all our maps.
Let’s start off with his electrifying, ‘Any Day Now’ when he was still a member of The Soul Stirrers.
This is singing that invites you to share in a transcendent experience.
An experience that can’t really be described in prose but which might be just glimpsed through the medium of a poem or here via a song taking us to a place we’ve never known yet still somehow recognise.
Sam’s vocal here glides through the song like a raptor effortlessly riding the air currents – now ascending, now swooping down, now wheeling for the sheer life-affirming thrill of it! Sam Cooke sang, at all emotional temperatures, with an ease and elegant poise that is genuinely awe-some, in it’s proper sense.
I’m listening to this performance on the feast of Pentecost – who can doubt that tongues of fire can descend on human heads when you listen to Sam Cooke sing, ‘Any Day Now’!
Now let’s hear Sam taking the church-wrecking skills displayed above into another dimension as he ignites the Harlem Square Club in 1963 with an out of the ball park grand slam performance of his own, ‘Bring It On Home To Me’.
This is a man entirely at home on stage, entirely at home with the audience surrounding him; the audience he can seduce, thrill and command with regal authority. He’s not exaggerating when he sings, ‘Everybody’s with me tonight!’
Sam Cooke seems to live inside rhythm; pushing or lagging the beat in time with the demands of his and our own beating hearts. Crescendo after crescendo rains down on us until we are intoxicated, elated, finally enraptured. Very few singers have genuinely had the gift of opening up the gates to rapture and bringing it on home as Sam could.
When I hear Sam Cooke sing time after time I hear myself saying, ‘Now, That’s How You Sing!’